This volume is about American films from the late sixties and early seventies, how they use music and sound to foreground an imagined engagement with the lived immediacy of experience, and how this experience is related to the idea of the historical...
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This volume is about American films from the late sixties and early seventies, how they use music and sound to foreground an imagined engagement with the lived immediacy of experience, and how this experience is related to the idea of the historical past
