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  1. Playing by ear and the tip of the tongue
    precategorial information in poetry
    Autor*in: Tsur, Reuven
    Erschienen: 2012
    Verlag:  John Benjamins Pub. Co., Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1283894920; 9027233497; 9027273251; 9781283894920; 9789027273253
    Schriftenreihe: Linguistic approaches to literature ; v. 14
    Schlagworte: LITERARY CRITICISM / Poetry; Cognition; Poetics / Psychological aspects; Psycholinguistics; Sound symbolism; Versification; Psychologie; Poetics; Sound symbolism; Versification; Cognition; Psycholinguistics; Literatur; Wortfindungsstörung; Psycholinguistik; Vorwissen; Phonetik; Semantik; Wahrnehmung
    Umfang: 1 Online-Ressource (x, 308 p., [2] p. of plates)
    Bemerkung(en):

    Includes bibliographical references and index

  2. Playing by ear and the tip of the tongue
    precategorial information in poetry
    Erschienen: 2012
    Verlag:  John Benjamins Pub. Co, Amsterdam

    10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial... mehr

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    10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial information; 11.3 Sound symbolism and source's size; 11.3.1 Sound symbolism and referent's size; 11.4 Descriptive reduplication in Japanese; 11.5 Methodological comments; Issues in literary synaesthesia; 12.1 Synaesthesia as a neuropsychological and a literary phenomenon; 12.2 Four kinds of explanation; 12.3 Panchronistic tendencies in synaesthesia. 2.4 Colour and overtone interaction2.5 Individual differences; 2.6 Summary and conclusions; The tot phenomenon; 3.1 The tot phenomenon; 3.2 Referentiality, serial position, and the "God-gifted organ-voice of England"; 3.3 Summary and conclusions; "Oceanic" dedifferentiation and poetic metaphor; 4.1 Rapid vs. delayed conceptualization; 4.2 Poetic metaphors; 4.3 Oceanic Imagery in Faust; 4.4 Conclusions ; Deixis and abstractions; 5.1 Sequential and spatial processing; 5.2 Time in poetry; 5.3 More on the abstract of the concrete; 5.4 "Total Complexes" and "Just Noticeable Differences." 5.5 Feeling and knowing5.6 Conclusion; Chapter 6. Three case studies -- keats, spenser, baudelaire; 6.1 Poetry and Altered States of Consciousness; 6.2 "On See℗Ưing the Elgin Marbles"; 6.3 Alternative Men℗Ưtal Performances; 6.4 Symbol and Allegory; 6.5 Keats and Marlowe; 6.6 Ambiguity and Soft Focus; 6.7 Chearlesse Night in Spenser and Baudelaire; 6.8 To Sum Up; Linguistic devices and ecstatic poetry; 7.1 Ecstatic quality, linguistic devices, and cognitive processes; 7.2 Vocal performance and lingering precategorial auditory information; Defamiliarization Revisited. Aesthetic qualities as structural resemblance9.1 Emotional qualities and onomatopoeia; 9.2 Convergent and divergent style; 9.3 Perceptual forces (large scale); 9.4 Perceptual forces (minute scale); 9.5 Materials and structures; Appendix; Observations on Larsen's criticism of the click experiment; Metaphor and figure -- ground relationship; 10.1 Basic gestalt rules of figure -- ground; 10.2 Figure and ground in the visual arts ; 10.3 Form in other senses ; 10.4 Figures in narrative ; 10.5 Figure and ground in poetry: Emily Dickinson ; 10.6 Figure and ground in Shakespeare. In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to "grow together" into a compact word, generating a feeling of some dense, undifferentiated mass. Po Playing by Ear and the Tip of the Tongue; Editorial page; Title page; LCC data; Supported by; Table of contents ; Preface; Introduction; 1.1 Precategorial information and critical communication; 1.2 "Speech mode", "Nonspeech mode", "Poetic mode"; 1.3 Thing destruction and thing-free qualities; 1.4 "The Roses of her Cheeks"; 1.5 Perceptual boundaries and fusion; 1.6 "Precategorial" -- predecessors and successors; 1.7 Guide through this book; The poetic mode of speech perception revisited; 2.1 Stating the problem; 2.2 Some experimental evidence; 2.3 Speech mode, nonspeech mode and poetic mode.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027273253; 9027273251
    Schriftenreihe: Linguistic approaches to literature 1569-3112 ; v. 14
    Linguistic approaches to literature ; v. 14
    Schlagworte: Poetics; Sound symbolism; Versification; Cognition; Psycholinguistics; Poetics; LITERARY CRITICISM ; Poetry; Cognition; Poetics ; Psychological aspects; Psycholinguistics; Sound symbolism; Versification
    Umfang: Online Ressource (x, 308 p., [2] p. of plates), ill. (some col.)
    Bemerkung(en):

    Includes bibliographical references and index