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  1. The Great War in post-memory literature and film
    Beteiligt: Löschnigg, Martin (Hrsg.); Sokołowska-Paryż, Marzena (Hrsg.)
    Erschienen: [2014]
    Verlag:  De Gruyter, Berlin ; Boston

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Löschnigg, Martin (Hrsg.); Sokołowska-Paryż, Marzena (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 311036302X; 9783110363029; 9783110391527; 311039152X; 9783110362909; 3110362902
    Schriftenreihe: Media and cultural memory ; 18
    Schlagworte: Collective memory and literature; Collective memory and motion pictures; Literature, Modern; War and literature; War and motion pictures; War films; Collective memory and literature; Collective memory and motion pictures; Literature, Modern / 20th century / History and criticism; War films / History and criticism; World War, 1914-1918 / Literature and the war; World War, 1914-1918 / Motion pictures and the war; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Weltkrieg (1914-1918); Array; Film; Erster Weltkrieg <Motiv>; Literatur
    Umfang: 1 online resource (vii, 459 pages.)
    Bemerkung(en):

    Description based on print version record

    Marzena Sokolowska-Paryz and Martin Löschnigg: Introduction: "Have you forgotten yet?" -- "Entrenched" Perspectives: The Legacy of the Great War. Margot Norris: Revisiting All Quiet on the Western Front -- Caroline Perret: Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Ross J. Wilson: It Still Goes On: Trauma and the Memory of the First World War -- Marlene A. Briggs: Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- Paul Skrebels: A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- Ty Hawkins: The Great War, the Iraq War, and Postmodern America -- Kevin Powers: The Yellow Birds and the Radical Isolation of Today's U.S. Veterans --

    The Challenge of Form: How to "Remember" the Great War. Thomas F. Schneider: The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- Marek Paryz: "I shall lie broken against this broken earth": William March's Company K on the Screen -- Michael Paris: The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- Martin Löschnigg: "Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- David Malcolm:The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- Phil Fitzsimmons and Daniel Reynaud: Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- Jean Anderson: What Price Justice? French Crime Fiction and the Great War -- Identities: The Great War and National Post-Memories. Sherrill Grace: Remembering The Wars --

    Hanna Teichler: Joseph Boyden's Three Day Road: Transcultural (Post-)Memory and Identity in Canadian World War I Fiction -- Christina Spittel: Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- Clare Rhoden: Even More Australian: Australian Great War Novels in the Twenty-First Century -- Daniel Reynaud: National Versions of the Great War: Modern Australian Anzac Cinema -- Richard Slotkin: The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- Maurizio Cinquegrani: Place, Time and Memory in Italian Cinema of the Great War -- Marzena Sokolowska-Paryz: The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- Angela Brintlinger: The Great War through "Great October": 1914/1917 in Russian Memory --

    Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War. Geert Buelens: They wouldn't end it with any of us alive, now would they?: The First World War in Cold War Era Films -- Richard Smith: Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- Anne Samson: Fictional Accounts of the East Africa Campaign -- Alicia Fahey: Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- Brigitte Johanna Glaser : Women and World War I: "Postcolonial" Imaginative Rewritings of the Great War

    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations
  2. The Great War in post-memory literature and film
    Beteiligt: Löschnigg, Martin (HerausgeberIn); Sokołowska-Paryż, Marzena (HerausgeberIn)
    Erschienen: [2014]
    Verlag:  De Gruyter, Berlin

    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations. Marzena Soko?owska-Pary?,University of Warsaw, Poland; Martin Löschnigg, University of Graz, Austria. The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Löschnigg, Martin (HerausgeberIn); Sokołowska-Paryż, Marzena (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 311036302X; 9783110363029; 9783110391527; 311039152X
    Weitere Identifier:
    9783110391527
    Schriftenreihe: Media and cultural memory / medien und kulturelle erinnerung ; volume 18
    Schlagworte: World War, 1914-1918; Literature, Modern; World War, 1914-1918; War films; Collective memory and literature; Collective memory and motion pictures; World War, 1914-1918; World War, 1914-1918; War films; Literature, Modern; World War, 1914-1918; War films; Collective memory and motion pictures; Collective memory and literature; World War, 1914-1918; Literature, Modern; Literature, Modern; War films; World War, 1914-1918; World War, 1914-1918; Collective memory and literature; Collective memory and motion pictures; Weltkrieg; Literatur; Criticism, interpretation, etc; Literature, Modern; War and literature; War and motion pictures; War films; BIOGRAPHY & AUTOBIOGRAPHY ; Literary
    Umfang: Online Ressource (vii, 459 pages.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

    Marzena Sokolowska-Paryz and Martin Löschnigg: Introduction: "Have you forgotten yet?""Entrenched" Perspectives: The Legacy of the Great War. Margot Norris: Revisiting All Quiet on the Western Front -- Caroline Perret: Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Ross J. Wilson: It Still Goes On: Trauma and the Memory of the First World War -- Marlene A. Briggs: Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- Paul Skrebels: A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- Ty Hawkins: The Great War, the Iraq War, and Postmodern America -- Kevin Powers: The Yellow Birds and the Radical Isolation of Today's U.S. Veterans -- The Challenge of Form: How to "Remember" the Great War. Thomas F. Schneider: The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- Marek Paryz: "I shall lie broken against this broken earth": William March's Company K on the Screen -- Michael Paris: The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- Martin Löschnigg: "Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- David Malcolm:The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- Phil Fitzsimmons and Daniel Reynaud: Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- Jean Anderson: What Price Justice? French Crime Fiction and the Great War -- Identities: The Great War and National Post-Memories. Sherrill Grace: Remembering The Wars -- Hanna Teichler: Joseph Boyden's Three Day Road: Transcultural (Post-)Memory and Identity in Canadian World War I Fiction -- Christina Spittel: Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- Clare Rhoden: Even More Australian: Australian Great War Novels in the Twenty-First Century -- Daniel Reynaud: National Versions of the Great War: Modern Australian Anzac Cinema -- Richard Slotkin: The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- Maurizio Cinquegrani: Place, Time and Memory in Italian Cinema of the Great War -- Marzena Sokolowska-Paryz: The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- Angela Brintlinger: The Great War through "Great October": 1914/1917 in Russian Memory -- Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War. Geert Buelens: They wouldn't end it with any of us alive, now would they?: The First World War in Cold War Era Films -- Richard Smith: Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- Anne Samson: Fictional Accounts of the East Africa Campaign -- Alicia Fahey: Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- Brigitte Johanna Glaser : Women and World War I: "Postcolonial" Imaginative Rewritings of the Great War.