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  1. Sublime drama
    British theatre of the 1990s
    Autor*in: Baraniecka, Elzbieta Iwona
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3110309939; 9783110309935
    Schriftenreihe: Contemporary Drama in English Studies
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; English drama; English drama; Publikum; Das Erhabene; Rezeption; Drama; Aufführung; Englisch
    Umfang: 1 online resource (280 pages)
    Bemerkung(en):

    Print version record

    Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context

    2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds

    3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited

    This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre
  2. Sublime drama
    British theatre of the 1990s
    Autor*in: Baraniecka, Elzbieta
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110309935; 3110309939; 9783110301151; 3110301156
    Schriftenreihe: CDE studies ; Bd. 23
    Schlagworte: English drama; Sublime, The; Theater; Englisch; Drama; �Das� Erhabene; Rezeption; Publikum; DRAMA / English, Irish, Scottish, Welsh; Geschichte; English drama; Theater; Sublime, The; Publikum; Englisch; Drama; Aufführung; Rezeption; Das Erhabene
    Umfang: x, 270 pages
    Bemerkung(en):

    Includes bibliographical references (pages 261-270)

    Acknowledgements; 1 Introduction; 1.1 Thesis; 1.2 Overview of Chapters; 1.3 Previous Research; 2 Theory of the Sublime; 2.1 Longinus; 2.1.1 "The echo of a great soul"; 2.1.2 Sappho and the Threatened Subject; 2.1.3 The Turn of the Sublime; 2.2 Edmund Burke; 2.2.1 Towards an Aesthetic of Shocks: Burke; 2.2.2 The Beautiful and the Sublime; 2.3 Immanuel Kant; 2.3.1 Characteristics of the Aesthetic Feeling; 2.3.2 The Beautiful and the Sublime; 2.4 Jean-François Lyotard; 2.4.1 Lyotard and Kantian Reflective Aesthetic Judgement; 2.4.2 Adjusting Kantian Sublime to the Postmodern Context

    2.4.3 Realism2.4.4 The Inhuman; 2.4.5 The Threat of Privation; 2.4.6 The Ungraspable Presence; 2.5 Summary; 2.6 Theorizing the Sublime for Drama Analysis; 3 Case Studies; 3.1 Patrick Marber's Closer; 3.1.1 The Beautiful, the Agreeable and the Sublime; 3.1.2 Synopsis; 3.1.3 Internal Analysis: Moments of (In)Hospitality; 3.1.4 External Analysis: Moments of the (Un)Familiar; 3.2 Anthony Neilson's Normal; 3.2.1 Synopsis; 3.2.2 Bataille, Eros and Thanatos, and the Evil Inside; 3.2.3 Internal Analysis: Wehner's Sublime Encounter with Eros and Thanatos; 3.2.4 The External Level: Ecstasy of Minds

    3.3 Mark Ravenhill's Faust Is Dead3.3.1 Synopsis; 3.3.2 Seduction in Realism and in Sublime; 3.3.3 Internal Analysis: Consumerist Seduction of the Characters; 3.3.4 External Analysis: Sublime Seduction of the Audience; 3.4 Sarah Kane's 4.48 Psychosis; 3.4.1 The Impossible Synopsis; 3.4.2 Internal Analysis: Singing on the Boundary; 3.4.3 External Analysis: the Influence of the Parergonal Language on the Audience; 4 Conclusion; 5 Works Cited

    This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre
  3. Sublime Drama
    British Theatre of the 1990s
    Autor*in: Baraniecka, Elzbieta Iwona
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin/Boston ; De Gruyter Mouton

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110309935; 3110309939
    Weitere Identifier:
    9783110309935
    Schriftenreihe: Contemporary Drama in English Studies ; 23
    Schlagworte: Englisch; Drama; Das Erhabene; Rezeption; Publikum
    Weitere Schlagworte: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)DRA000000; Literatur/20. Jahrhundert; Sublime; In-yer-face; 20th-Century British Drama; Theatre Studies; EBK: eBook; Theaterwissenschaften; Britisches Drama; (VLB-WN)9586
    Umfang: Online-Ressource
    Bemerkung(en):

    Lizenzpflichtig
  4. Sublime drama
    British theatre of the 1990s
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

    This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    This monograph undertakes the task of analysing the dynamics of the communication between the stage and the audience in what has been commonly referred to as 'in-yer-face drama'. Rather than use the existing term the study proposes the aesthetic category of the sublime, which proves to be more fruitful, as it offers more precise tools for the analysis of the audience's aesthetic response than does in-yer-face theatre

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110309935; 3110309939
    RVK Klassifikation: HN 1261 ; HN 1220
    Schriftenreihe: CDE studies ; Vol. 23
    Schlagworte: English drama; Theater; Sublime, The; English drama; DRAMA ; English, Irish, Scottish, Welsh; English drama; Sublime, The; Theater; Englisch; Drama; Das Erhabene; Rezeption; Publikum; History; Criticism, interpretation, etc
    Umfang: Online Ressource (280 pages)