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  1. Memory art in the contemporary world
    confronting violence in the global South
    Erschienen: 2022
    Verlag:  Lund Humphries, London

    Memory Art in the Contemporary World' deals with the ever-expanding field of transnational memory art, which has emerged from a political need to come to terms with traumatic historical pasts, from the Holocaust to apartheid, colonialism, state... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Memory Art in the Contemporary World' deals with the ever-expanding field of transnational memory art, which has emerged from a political need to come to terms with traumatic historical pasts, from the Holocaust to apartheid, colonialism, state terror and civil war. The book focuses on the work of several contemporary artists from beyond the Northern Transatlantic, including William Kentridge, Vivan Sundaram, Doris Salcedo, Nalini Malani and Guillermo Kuitca, all of whom reflect on historical situations specific to their own countries but in work which has been shown to have a transnational reach. Andreas Huyssen considers their dual investment in memories of state violence and memories of modernism as central to the affective power of their work.0This thought-provoking and highly relevant book reflects on the various forms and critical potential of memory art in a contemporary world which both obsesses about the past, in the building of monuments and museums and an emphasis on retro and nostalgia in popular culture, and simultaneously fosters historical amnesia in increasingly flattened notions of temporality encouraged by the internet and social media

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781848224223; 1848224222
    RVK Klassifikation: LH 65020
    Schriftenreihe: New directions in contemporary art
    Schlagworte: Schwellenländer; Entwicklungsländer; Kunst; Trauma <Motiv>; Gewalt <Motiv>; ; Kollektives Gedächtnis;
    Umfang: 184 Seiten, Illustrationen
  2. Memory art in the contemporary world
    confronting violence in the global South
    Erschienen: 2022
    Verlag:  Lund Humphries, London

    Memory Art in the Contemporary World' deals with the ever-expanding field of transnational memory art, which has emerged from a political need to come to terms with traumatic historical pasts, from the Holocaust to apartheid, colonialism, state... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2022:4034:
    keine Fernleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2023/2315
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    A 48480
    keine Fernleihe

     

    Memory Art in the Contemporary World' deals with the ever-expanding field of transnational memory art, which has emerged from a political need to come to terms with traumatic historical pasts, from the Holocaust to apartheid, colonialism, state terror and civil war. The book focuses on the work of several contemporary artists from beyond the Northern Transatlantic, including William Kentridge, Vivan Sundaram, Doris Salcedo, Nalini Malani and Guillermo Kuitca, all of whom reflect on historical situations specific to their own countries but in work which has been shown to have a transnational reach. Andreas Huyssen considers their dual investment in memories of state violence and memories of modernism as central to the affective power of their work.0This thought-provoking and highly relevant book reflects on the various forms and critical potential of memory art in a contemporary world which both obsesses about the past, in the building of monuments and museums and an emphasis on retro and nostalgia in popular culture, and simultaneously fosters historical amnesia in increasingly flattened notions of temporality encouraged by the internet and social media

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781848224223; 1848224222
    RVK Klassifikation: LH 65020
    Schriftenreihe: New directions in contemporary art
    Schlagworte: Schwellenländer; Entwicklungsländer; Kunst; Trauma <Motiv>; Gewalt <Motiv>; ; Kollektives Gedächtnis;
    Umfang: 184 Seiten, Illustrationen