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  1. The mummy on screen
    orientalism and monstrosity in horror cinema
    Autor*in: Glynn, Basil
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York

    The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the... mehr

    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781788314084; 1788314085
    RVK Klassifikation: AP 53900
    Schlagworte: Horrorfilm; Mumie <Motiv>
    Weitere Schlagworte: Mummy films / History and criticism; Mummy films; Criticism, interpretation, etc
    Umfang: x, 200 Seiten, Illustrationen, 24 cm