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  1. Pretexts for writing
    German Romantic prefaces, literature, and philosophy
    Autor*in: Williams, Seán M.
    Erschienen: [2019]
    Verlag:  Bucknell University Press, Lewisburg

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in... mehr

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"-- "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684480524; 1684480523; 9781684480531; 1684480531
    Schriftenreihe: New studies in the age of Goethe
    Schlagworte: German literature; Prefaces; LITERARY CRITICISM / European / German; LITERARY CRITICISM / Gothic & Romance; PHILOSOPHY / Aesthetics
    Weitere Schlagworte: Goethe, Johann Wolfgang von 1749-1832; Jean Paul 1763-1825; Hegel, Georg Wilhelm Friedrich 1770-1831
    Umfang: xi, 261 Seiten
  2. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Autor*in: Williams, Seán M.
    Erschienen: [2019]
    Verlag:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... mehr

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684480531; 1684480531; 9781684480524; 1684480523
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Philosophie und Psychologie (100)
    Schriftenreihe: New studies in the age of Goethe
    Schlagworte: Goethe, Johann Wolfgang <<von>>; Jean Paul; Hegel, Georg Wilhelm Friedrich; Vorwort;
    Umfang: xi, 261 Seiten, 24 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite 233-253
  3. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Autor*in: Williams, Seán M.
    Erschienen: [2019]
    Verlag:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... mehr

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  4. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Autor*in: Williams, Seán M.
    Erschienen: [2019]; © 2019
    Verlag:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... mehr

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    91.077.75
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684480524; 1684480523; 9781684480531; 1684480531
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Philosophie und Psychologie (100)
    Schriftenreihe: New studies in the age of Goethe
    Schlagworte: Vorwort
    Weitere Schlagworte: Jean Paul (1763-1825); Goethe, Johann Wolfgang von (1749-1832); Hegel, Georg Wilhelm Friedrich (1770-1831)
    Umfang: xi, 261 Seiten, 24 cm
  5. Pretexts for writing
    German Romantic prefaces, literature, and philosophy
    Autor*in: Williams, Seán M.
    Erschienen: [2019]
    Verlag:  Bucknell University Press, Lewisburg, Pennsylvania

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 81449
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2019/2374
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2019 A 8757
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    GER:DM:2000:Wil::2019
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Deutsches Literaturarchiv Marbach, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Signatur:
    2019-1551
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    69/6860
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    60 A 281
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    GK 2111 W727
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    69.1281
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"-- "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1684480523; 1684480531; 9781684480524; 9781684480531
    Schriftenreihe: New studies in the age of Goethe
    Schlagworte: German literature; Prefaces; LITERARY CRITICISM / European / German; LITERARY CRITICISM / Gothic & Romance; PHILOSOPHY / Aesthetics; Prefaces; German literature
    Weitere Schlagworte: Goethe, Johann Wolfgang von 1749-1832; Jean Paul 1763-1825; Hegel, Georg Wilhelm Friedrich 1770-1831; Goethe, Johann Wolfgang von (1749-1832); Jean Paul (1763-1825); Hegel, Georg Wilhelm Friedrich (1770-1831)
    Umfang: xi, 261 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 233-253
  6. Pretexts for writing
    German romantic prefaces, literature, and philosophy
    Autor*in: Williams, Seán M.
    Erschienen: [2019]; © 2019
    Verlag:  Bucknell University Press, Lewisburg, Pennsylvania

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used... mehr

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    91.077.75
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB451477790

     

    Zusammenfassung: "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--(Provided by publisher.) Zusammenfassung: "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--(Provided by publisher.)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684480524; 1684480523; 9781684480531; 1684480531
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Philosophie und Psychologie (100)
    Schriftenreihe: New studies in the age of Goethe
    Schlagworte: Vorwort
    Weitere Schlagworte: Jean Paul (1763-1825); Goethe, Johann Wolfgang von (1749-1832); Hegel, Georg Wilhelm Friedrich (1770-1831)
    Umfang: xi, 261 Seiten, 24 cm