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  1. Photography and belief
    Autor*in: Strauss, David Levi
    Erschienen: [2020]; © 2020
    Verlag:  David Zwirner Books, New York, New York

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop,... mehr

     

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644230473; 164423047X
    RVK Klassifikation: AP 94700
    Schriftenreihe: Ekphrasis
    Schlagworte: Fotografie; Fotomontage; Objektivität; Fiktion; Wahrheit; Authentizität; Sehen; Ekphrasis; ; Benjamin, Walter; Berger, John; Barthes, Roland; Flusser, Vilém; Fotografie;
    Weitere Schlagworte: ART / General
    Umfang: 93 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 84-87
  2. Photography and belief
    Autor*in: Strauss, David Levi
    Erschienen: [2020]; © 2020
    Verlag:  David Zwirner Books, New York, New York

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781644230473; 164423047X
    RVK Klassifikation: AP 94700
    Schriftenreihe: Ekphrasis
    Schlagworte: Ekphrasis; Objektivität; Fotomontage; Fotografie; Sehen; Fiktion; Wahrheit; Authentizität
    Weitere Schlagworte: Berger, John (1926-2017); Barthes, Roland (1915-1980): La chambre claire; Flusser, Vilém (1920-1991): Für eine Philosophie der Fotografie; Benjamin, Walter (1892-1940): Kleine Geschichte der Photographie; ART / General
    Umfang: 93 Seiten
  3. Photography and belief
    Autor*in: Strauss, David Levi
    Erschienen: [2020]; © 2020
    Verlag:  David Zwirner Books, New York, New York

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop,... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  4. Photography and belief
    Autor*in: Strauss, David Levi
    Erschienen: [2020]; © 2020
    Verlag:  David Zwirner Books, New York

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."0Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop,... mehr

    Standort:
    Hochschulbibliothek der Hochschule Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."0Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust.0In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do?0Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644230473; 164423047X
    RVK Klassifikation: AP 94700 ; AP 94700
    Schriftenreihe: ekphrasis
    Schlagworte: Fotografie; Fotomontage; Objektivität; Fiktion; Wahrheit; Authentizität; Sehen; Ekphrasis
    Weitere Schlagworte: ART / General
    Umfang: 93 Seiten, Illustration