Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references (pages 263-272) and index
Genesis of a Playwright -- Seeing and Imagining -- Pasadena and Beyond -- Learning to Write -- On Being a Southern Writer -- Wharton, Then and Now -- What It Means to be a Southern Writer -- The Trip to Paradise -- The Artist as Mythmaker -- Things Have Ends and Beginnings -- Writing for the Stage -- Dance and Broadway (1944) -- Harrison, USA -- Sometimes the One-Act Play Says It All -- Advice to Young Playwrights -- Herbert Berghof -- The Orphans' Home Cycle Lecture -- How To and How Not To: Some Lessons Learned along the Way -- Introduction to The Young Man from Atlanta -- Writing for the Screen -- The Little Box -- On First Dramatizing Faulkner -- The McDermott Lecture -- Writing for Film -- Willa Cather -- Thoughts on the American Theatre -- The New York Theatre (1930-1940) -- The Changing of the Guard -- The Vanishing World and Renewals
In Genesis of an American Playwright Horton Foote, one of the greatest American playwrights of the twentieth century, reflects upon his journey from his childhood in Wharton, Texas, through his early experiences as an actor in the theatre, to his mature vocation as a playwright. All along the way, Foote carefully identifies the people and influences that shaped his character and nurtured his art. What is remarkable about this book is equally remarkable about his drama: he writes with an effortlessness that belies the intimacy of the art emanating from deep within. The stories are simply told
