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  1. Abstraction matters
    contemporary sculptors in their own words
    Beteiligt: Baldacci, Cristina (HerausgeberIn); Bertolini, Michéle (HerausgeberIn); Esengrini, Stefano (HerausgeberIn); Pinotti, Andrea (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    From the archaic funerary and sacred stones to the most recent three-dimensional objects, sculpture has been determined by a dualistic tension between the urge for imitation of natural forms (mimesis) and the desire to freely shape autonomous... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2019:2415:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    From the archaic funerary and sacred stones to the most recent three-dimensional objects, sculpture has been determined by a dualistic tension between the urge for imitation of natural forms (mimesis) and the desire to freely shape autonomous configurations (abstraction). Within such a complex history, the second half of the 20th century has been a particularly intense period. Besides their abstract works, many sculptors developed an extraordinarily rich theoretical discourse. This collection of essays presents some of the most eminent protagonists of this crucial historical moment by focusing on the artists own words. In their analysis, the contributors have followed three key-notions Sensation, Idea, and Language that fruitfully collect different artists under a common conceptual arch and show the aesthetic relevance of abstraction in sculpture. This book addresses high-level undergraduate and graduate students, as well as the scholarly community in the fields of aesthetics and art criticism, art history and art theory, visual, cultural and media studies -- Provided by the publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Baldacci, Cristina (HerausgeberIn); Bertolini, Michéle (HerausgeberIn); Esengrini, Stefano (HerausgeberIn); Pinotti, Andrea (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781527518100; 1527518108
    RVK Klassifikation: LH 69470
    Schlagworte: Sculpture, Modern; Sculpture, Abstract
    Umfang: xiii, 192 Seiten, 22 cm
  2. Abstraction matters
    contemporary sculptors in their own words
    Beteiligt: Baldacci, Cristina (HerausgeberIn); Bertolini, Michéle (HerausgeberIn); Esengrini, Stefano (HerausgeberIn); Pinotti, Andrea (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    From the archaic funerary and sacred stones to the most recent three-dimensional objects, sculpture has been determined by a dualistic tension between the urge for imitation of natural forms (mimesis) and the desire to freely shape autonomous... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    From the archaic funerary and sacred stones to the most recent three-dimensional objects, sculpture has been determined by a dualistic tension between the urge for imitation of natural forms (mimesis) and the desire to freely shape autonomous configurations (abstraction). Within such a complex history, the second half of the 20th century has been a particularly intense period. Besides their abstract works, many sculptors developed an extraordinarily rich theoretical discourse. This collection of essays presents some of the most eminent protagonists of this crucial historical moment by focusing on the artists own words. In their analysis, the contributors have followed three key-notions Sensation, Idea, and Language that fruitfully collect different artists under a common conceptual arch and show the aesthetic relevance of abstraction in sculpture. This book addresses high-level undergraduate and graduate students, as well as the scholarly community in the fields of aesthetics and art criticism, art history and art theory, visual, cultural and media studies -- Provided by the publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Baldacci, Cristina (HerausgeberIn); Bertolini, Michéle (HerausgeberIn); Esengrini, Stefano (HerausgeberIn); Pinotti, Andrea (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781527518100; 1527518108
    RVK Klassifikation: LH 69470
    Schlagworte: Sculpture, Modern; Sculpture, Abstract
    Umfang: xiii, 192 Seiten, 22 cm