Introduction /Kim Knowles and Marion Schmid --Mapping the interzone. --Film and performance: intermedial intersections /Stephen Barber --Carving cameras: Antonioni's Lo sguardo di Michelangelo /Steven Jacobs --The photo-filmic and the post-human:...
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Introduction /Kim Knowles and Marion Schmid --Mapping the interzone. --Film and performance: intermedial intersections /Stephen Barber --Carving cameras: Antonioni's Lo sguardo di Michelangelo /Steven Jacobs --The photo-filmic and the post-human: picturesque landscapes at the peripheries of global cinema /Ágnes Pethö --Dream screen: on cinema and painting, blur and absorption /Martine Beugnet --The intermedial avant-gardes. --From the periphery to the interstices: avant-garde film, medium specificity and intermediality, 1970-2015 /Christopher Townsend --The 'artist as filmmaker': modernisms, schisms, misunderstandings /Lucy Reynolds --The artwork/statement as intermedial nexus: Paul Sharits's N:O:T:H:I:N:G /Barnaby Dicker --Technology, apparatus, affect. --Intermediality and the origins of cinema /Boris Wiseman --Cinematography's blind spots: artistic exploitations of the film frame /Gabriele Jutz --Filming and feeling between the arts: Pascale Breton, Suite armoricaine and Eugène Green, Le fils de Joseph /Marion Schmid --Intermedial creation. --What does a dance filmmaker see? /Adam Roberts --Performance, moving image, installation: the making of Body of war and Faith /Isabel Rocamora --Muybridge's disobedient horses: Non-stop stop-motion /Anna Vasof --A dialogue with Claude Cahun: between writing, photography and film in Magic mirror and Confessions to the mirror /Sarah Pucill. This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance
