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  1. Shakespeare on love
    the sonnets and plays in relation to Plato's Symposium, alchemy, Christianity and renaissance neo-platonism
    Erschienen: 2011
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne

    "Dr Ronald Gray, Fellow of Emmanuel College, lectured at Cambridge on German Literature and Philosophy for 33 years, and now expands his article, 'Will in the Universe, Shakespeare's Sonnets, Plato's Symposium, Alchemy and Renaissance Neo-Platonism',... mehr

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    "Dr Ronald Gray, Fellow of Emmanuel College, lectured at Cambridge on German Literature and Philosophy for 33 years, and now expands his article, 'Will in the Universe, Shakespeare's Sonnets, Plato's Symposium, Alchemy and Renaissance Neo-Platonism', published in 'Shakespeare Survey 59', Cambridge University Press 2006. This developed from his 'Goethe the Alchemist, A Study of Alchemical Symbolism in Goethe's Literary and Scientific Works', 1952, greeted on published as 'a major contribution to Goethe Studies'. Diotima's vision of universal love in The Symposium is echoed not only in Castiglione's "The Courtier" but in alchemy, in its symbolical sense; these together with Christian ideas combined in Shakespeare's imagination, strongly influencing the Sonnets. Where possible, Shakespeare inserted themes of the Sonnets in the plays. The result is a paradoxical combination of mysticism, sometimes erotic, in the Sonnets, with real situations and real lovers in both Sonnets and plays. The supreme realisation of the Dark Lady is Cleopatra, but the Lady also has mythic dimensions."--Publisher's description

     

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  2. Shakespeare on love
    the sonnets and plays in relation to Plato's Symposium, alchemy, Christianity and renaissance neo-platonism
    Autor*in: Gray, Ronald D.
    Erschienen: 2011
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1443827118; 1443828009; 9781443827119; 9781443828000
    Schlagworte: Liefde; Sonnetten; Toneelstukken; Neoplatonisme; Symposium; Liebe (Motiv); Rezeption; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Symposium (Plato); Alchemy in literature; Christianity in literature; Love in literature; Neoplatonism in literature; Sonnets, English; Drama; Sonnets, English; Love in literature; Alchemy in literature; Christianity in literature; Neoplatonism in literature; Rezeption; Liebe <Motiv>
    Weitere Schlagworte: Shakespeare, William; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Plato: Symposium; Shakespeare, William (1564-1616); Plato (v427-v347): Symposium
    Umfang: 1 Online-Ressource (xv, 1130 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Controversies and coincidences -- The young man and the mistress -- The Sonnets and the plays -- The Sonnets and Antony and Cleopatra -- A Lover's Complaint -- The Muse -- Varied perceptions of philosophies of opposites -- Epilogue: Dante and Shakespeare

    "Dr Ronald Gray, Fellow of Emmanuel College, lectured at Cambridge on German Literature and Philosophy for 33 years, and now expands his article, 'Will in the Universe, Shakespeare's Sonnets, Plato's Symposium, Alchemy and Renaissance Neo-Platonism', published in 'Shakespeare Survey 59', Cambridge University Press 2006. This developed from his 'Goethe the Alchemist, A Study of Alchemical Symbolism in Goethe's Literary and Scientific Works', 1952, greeted on published as 'a major contribution to Goethe Studies'. Diotima's vision of universal love in The Symposium is echoed not only in Castiglione's "The Courtier" but in alchemy, in its symbolical sense; these together with Christian ideas combined in Shakespeare's imagination, strongly influencing the Sonnets. Where possible, Shakespeare inserted themes of the Sonnets in the plays. The result is a paradoxical combination of mysticism, sometimes erotic, in the Sonnets, with real situations and real lovers in both Sonnets and plays. The supreme realisation of the Dark Lady is Cleopatra, but the Lady also has mythic dimensions."--Publisher's description