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  1. Comrades and critics
    women, literature and the Left in 1930s Canada
    Autor*in: Rifkind, Candida
    Erschienen: ©2009 (2010)
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442687703; 9781442687707
    Schlagworte: LITERARY CRITICISM / American / General; LITERARY CRITICISM / Canadian; Geschichte; Canadian literature; Women authors, Canadian; Socialism and literature; Right and left (Political science) in literature; Modernism (Literature); Nineteen thirties; Frauenliteratur; Moderne; Die Linke
    Umfang: 1 Online-Ressource (viii, 268 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 237-258) and index

    Acknowledgments -- Abbreviations -- Introduction: The Socialist-Modernist Encounter -- Women, Modernism, and Socialism -- Dialectics of Scarcity and Abundance -- The Literary Left and the Field of Cultural Production -- 1 Revolution, Gender, and Third Period Modernism -- Dorothy Livesay and the Third Period -- Communist Periodicals and Counterpublics -- The Revolutionary Chorus -- The Social Work of Documentary Poetry -- 2 The Poet, the Public, and Popular Front Modernism -- The Dustbowl and the Spanish Civil War -- Popular Front Periodicals and Poetics -- Anne Marriott's The Wind Our Enemy: A Modernist Poem -- Anne Marriott's The Wind Our Enemy: A Popular Front Poem -- 3 Leftist Theatre and the Performance of Gender -- The Socialist Stage and Amateur Theatre -- Reconstructing Leftist Performances -- Women and the Communist Stage -- The Comradely Ideal and Social Democratic Drama -- 4 The Novel and Documentary Modernism -- Irene Baird's Waste Heritage and Mass Unemployment -- Documentary Modernism -- Radical Manhood in Waste Heritage -- Writing Women, Reading Men -- Conclusion: New Formations-the Second World War and Beyond
  2. Comrades and critics
    women, literature and the Left in 1930s Canada
    Erschienen: (c)2009
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Acknowledgments -- Abbreviations -- Introduction: The Socialist-Modernist Encounter -- Women, Modernism, and Socialism -- Dialectics of Scarcity and Abundance -- The Literary Left and the Field of Cultural Production -- 1 Revolution, Gender, and... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Acknowledgments -- Abbreviations -- Introduction: The Socialist-Modernist Encounter -- Women, Modernism, and Socialism -- Dialectics of Scarcity and Abundance -- The Literary Left and the Field of Cultural Production -- 1 Revolution, Gender, and Third Period Modernism -- Dorothy Livesay and the Third Period -- Communist Periodicals and Counterpublics -- The Revolutionary Chorus -- The Social Work of Documentary Poetry -- 2 The Poet, the Public, and Popular Front Modernism -- The Dustbowl and the Spanish Civil War -- Popular Front Periodicals and Poetics -- Anne Marriott's The Wind Our Enemy: A Modernist Poem -- Anne Marriott's The Wind Our Enemy: A Popular Front Poem -- 3 Leftist Theatre and the Performance of Gender -- The Socialist Stage and Amateur Theatre -- Reconstructing Leftist Performances -- Women and the Communist Stage -- The Comradely Ideal and Social Democratic Drama -- 4 The Novel and Documentary Modernism -- Irene Baird's Waste Heritage and Mass Unemployment -- Documentary Modernism -- Radical Manhood in Waste Heritage -- Writing Women, Reading Men -- Conclusion: New Formations-the Second World War and Beyond.

     
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