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  1. Playing with desire
    Christopher Marlowe and the art of tantalization
    Erschienen: c1998
    Verlag:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802043550; 1442678542; 9780802043559; 9781442678545
    Schlagworte: Désir dans la littérature; Taquineries dans la littérature; Wensen; Sadisme; Toneelstukken; Engels; Begierde <Motiv>; DRAMA / English, Irish, Scottish, Welsh; LITERARY CRITICISM / General; Aggressiveness in literature; Control (Psychology) in literature; Desire in literature; Drama / Psychological aspects; Play in literature; Psychology; Sadism in literature; Sex in literature; Teasing in literature; Drama; Englisch; Psychologie; Wissen; Teasing in literature; Aggressiveness in literature; Control (Psychology) in literature; Drama; Desire in literature; Sadism in literature; Play in literature; Sex in literature; Begierde; Begierde <Motiv>
    Weitere Schlagworte: Marlowe, Christopher / 1564-1593 / Critique et interprétation; Marlowe, Christopher; Marlowe, Christopher / 1564-1593; Marlowe, Christopher / 1564-1593; Marlowe, Christopher; Marlowe, Christopher (1564-1593); Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (x, 238 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [211]-231) and index

    Marlowe and the torment of Tantalus -- Translation as template: all of Ovid's Elegies -- Playing with the powerless: Dido Queen of Carthage -- The conquerer's and the playwright's games: Tamburlaine the Great, part one and part two -- Playing with avarice: The Jew of Malta -- The play of history and desire: Edward II -- Damnation as tantalization: Doctor Faustus -- Frustrating the story of desire: Hero and Leander

    "Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences."--Jacket

  2. Playing with desire
    Christopher Marlowe and the art of tantalization
    Erschienen: c1998
    Verlag:  University of Toronto Press, Toronto

    "Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences."--Jacket

     

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  3. Playing with desire
    Christopher Marlowe and the art of tantalization
    Erschienen: 1998
    Verlag:  University of Toronto Press, Toronto [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    "Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences."--Jacket.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442678545; 1442678542
    RVK Klassifikation: HI 2715
    Schlagworte: Begierde <Motiv>
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (x, 238 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 211-231) and index