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  1. Creating states
    studies in the performative language of John Milton and William Blake
    Erschienen: c1994
    Verlag:  University of Toronto Press, Toronto

    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste Angela Esterhammer proposes a new way of understanding the relationship between Milton and Blake, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature Esterhammer distinguishes between the 'socio-political performative, ' the speech act which is defined by a societal context and derives power from institutional authority, and the 'phenomenological performative, ' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker Analysing texts such as The Reason of Church Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word - while continuing to use the forms of a socially or politically performative language

     
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  2. Creating states
    studies in the performative language of John Milton and William Blake
    Autor*in: Esterhammer, Angela
    Erschienen: c1994
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802005624; 1442673575; 9780802005625; 9781442673571
    Schlagworte: Sprache; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English language / Early modern / Style; English language / Style; English language / Versification; English poetry; Language and languages; Performative (Philosophy); Speech acts (Linguistics); Visions in literature; Englisch; Sprache; English language; English poetry; English language; Visions in literature; Performative (Philosophy); Speech acts (Linguistics); Sprache
    Weitere Schlagworte: Milton, John / 1608-1674 / Langue; Blake, William / 1757-1827 / Langue; Milton, John; Blake, William; Blake, William / 1757-1827; Milton, John / 1608-1674; Milton, John / 1608-1674; Blake, William / 1757-1827; Milton, John; Blake, William; Milton, John (1608-1674); Blake, William (1757-1827); Milton, John (1608-1674); Blake, William (1757-1827)
    Umfang: 1 Online-Ressource (xvii, 245 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [221]-237) and index

    Prologue: Words, Worlds, Acts, and Visions -- 1. Performative Language and Visionary Poetry -- 2. Speech Acts and World-Creation -- 3. The Language of Inspiration in Milton's Prose -- 4. Paradise Lost: The Creation of Poetry and the Poetry of Creation -- 5. The Circumference of Vision: Songs of Innocence and of Experience -- 6. Binding the Infinite: Blake's Brief Epics -- 7. Blake's Jerusalem: Statements and States

    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste

    Angela Esterhammer proposes a new way of understanding the relationship between Milton and Blake, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature

    Esterhammer distinguishes between the 'socio-political performative, ' the speech act which is defined by a societal context and derives power from institutional authority, and the 'phenomenological performative, ' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker

    Analysing texts such as The Reason of Church Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word - while continuing to use the forms of a socially or politically performative language
  3. Creating states
    studies in the performative language of John Milton and William Blake
    Autor*in: Esterhammer, Angela
    Erschienen: 1994
    Verlag:  University of Toronto Press, Toronto [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste. Angela Esterhammer proposes a new way of understanding the relationship between Milton and Blake, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature. Esterhammer distinguishes between the 'socio-political performative, ' the speech act which is defined by a societal context and derives power from institutional authority, and the 'phenomenological performative, ' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker. Analysing texts such as The Reason of Church Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word - while continuing to use the forms of a socially or politically performative language.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442673571; 1442673575; 1282003003; 9781282003002
    RVK Klassifikation: HK 2575
    Schlagworte: Performativer Satz
    Weitere Schlagworte: Blake, William (1757-1827); Milton, John (1608-1674)
    Umfang: 1 Online-Ressource (xvii, 245 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 221-237) and index