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  1. Chamber music
    Elizabethan sonnet-sequences and the pleasure of criticism
    Autor*in: Kuin, Roger
    Erschienen: c1998
    Verlag:  University of Toronto Press, Toronto, Ont.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802041884; 144267282X; 9780802041883; 9781442672826
    Schlagworte: Sonnets anglais / Histoire et critique; Poésie anglaise / 17e siècle / Histoire et critique; Sonnetten; Engels; Literatuurkritiek; Literaturtheorie; Sonett; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English poetry / Early modern; Sonnets, English; Englisch; Literaturkritik; Sonnets, English; English poetry
    Umfang: 1 Online-Ressource (xi, 289 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    1 - Prelude -- a new intellectual art -- - 2 - Three easy pieces -- sonnet analysis -- - 3 - Polyphony -- the plural of the text -- - 4 - Tempo/Sequenza -- textual time in Astrophil and Stella -- - 5 - Two-part invention -- love/ruins/SHAKE-SPEARES SONNETS -- - 6 - Theme with variations -- skin/deep: beauty -- - 7 - From the New World -- Will Archer's diary -- - 8 - Ein Heldenleben -- courtier, text, and death -- - 9 - Death and the maiden -- architecture -- - 10 - Divertimento -- the text as desiring-machine -- - 11 - Four-part fugue -- indeterminacy and undecideability -- - 12 - Encore -- irregardless -- - App - Discourse and its Choices

    Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation
  2. Chamber music
    Elizabethan sonnet-sequences and the pleasure of criticism
    Erschienen: c1998
    Verlag:  University of Toronto Press, Toronto, Ont

    Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation

     
    Export in Literaturverwaltung   RIS-Format
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  3. Chamber music
    Elizabethan sonnet-sequences and the pleasure of criticism
    Autor*in: Kuin, Roger
    Erschienen: 1998
    Verlag:  University of Toronto Press, Toronto, Ont. ; EBSCO Industries, Inc., Birmingham, AL, USA

    Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442672826; 144267282X; 1282025627; 9781282025622
    RVK Klassifikation: HI 1231
    Schlagworte: Englisch; Sonett; Literaturtheorie
    Umfang: 1 Online-Ressource (xi, 289 pages)
    Bemerkung(en):

    Includes bibliographical references and index