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  1. The other women's lib
    gender and body in Japanese women's fiction
    Erschienen: ©2010
    Verlag:  University of Hawai'i Press, Honolulu

    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I learned to hate my body -- Odd bodies -- The body of the other woman -- Conclusion: Power, violence, and language in the age of high economic growth. The Other Women's Lib provides the first systematic analysis of Japanese literary feminist discourse of the 1960s--a full decade before the "women's lib" movement emerged in Japan. It highlights the work of three well-known female fiction writers of this generation (Kono Taeko, Takahashi Takako, and Kurahashi Yumiko) for their avant-garde literary challenges to dominant models of femininity. Focusing on four tropes persistently employed by these writers to protest oppressive gender stereotypes--the disciplinary masculine gaze, feminist misogyny, "odd bodies," and female homoeroticism--Julia Bullock brings to the fore their previously unrecognized theoretical contributions to second-wave radical feminist discourse. In all of these narrative strategies, the female body is viewed as both the object and instrument of engendering. Severing the discursive connection between bodily sex and gender is thus a primary objective of the narratives and a necessary first step toward a less restrictive vision of female subjectivity in modern Japan. The Other Women's Lib further demonstrates that this "gender trouble" was historically embedded in the socioeconomic circumstances of the high-growth economy of the 1960s, when prosperity was underwritten by an increasingly conservative gendered division of labor that sought to confine women within feminine roles. Raised during the war to be "good wives and wise mothers" yet young enough to take advantage of the opportunities presented to them by Occupation-era reforms, the authors who fueled the 1960s boom in women's literary publication staunchly resisted normative constructions of gender, crafting narratives that exposed or subverted hegemonic discourses of femininity that relegated women to the negative pole of a binary opposition to men. Their fictional heroines are unapologetically bad wives and even worse mothers; they are often wanton, excessive, or selfish and brazenly cynical with regard to traditional love, marriage, and motherhood. The Other Women's Lib affords a cogent and incisive analysis of these texts as feminist philosophy in fictional form, arguing persuasively for the inclusion of such literary feminist discourse in the broader history of Japanese feminist theoretical development. It will be accessible to undergraduate audiences and deeply stimulating to scholars and others interested in gender and culture in postwar Japan, Japanese women writers, or Japanese feminism

     

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  2. The other women's lib
    gender and body in Japanese women's fiction
    Erschienen: c2010
    Verlag:  University of Hawai'i Press, Honolulu

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0824833872; 0824834534; 0824860756; 1441671471; 9780824833879; 9780824834531; 9780824860752; 9781441671479
    Schlagworte: LITERARY CRITICISM / Asian / General; SOCIAL SCIENCE / Gender Studies; Feminist literary criticism; Gender identity in literature; Human body in literature; Japanese fiction; Japanese fiction / Women authors; Women / Identity; Women in literature; Frau; Japanese fiction; Women in literature; Japanese fiction; Feminist literary criticism; Gender identity in literature; Human body in literature; Women; Japanisch; Körper <Motiv>; Frauenliteratur; Geschlecht <Motiv>
    Umfang: 1 Online-Ressource (ix, 200 p.)
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    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I learned to hate my body -- Odd bodies -- The body of the other woman -- Conclusion: Power, violence, and language in the age of high economic growth

  3. The other women's lib
    gender and body in Japanese women's fiction
    Erschienen: 2011
    Verlag:  University of Hawai'i Press, Honolulu

    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I learned to hate my body -- Odd bodies -- The body of the other woman -- Conclusion: Power, violence, and language in the age of high economic growth

     

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  4. The other women's lib
    gender and body in Japanese women's fiction
    Erschienen: 2011
    Verlag:  University of Hawai'i Press, Honolulu

    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I... mehr

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    Introduction: Bad wives and worse mothers? rewriting femininity in postwar Japan -- Party crashers and poison pens: women writers in the age of high economic growth -- The masculine gaze as disciplinary mechanism -- Feminist misogyny? or how I learned to hate my body -- Odd bodies -- The body of the other woman -- Conclusion: Power, violence, and language in the age of high economic growth

     

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  5. The other women's lib
    gender and body in Japanese women's fiction
    Erschienen: 2010
    Verlag:  University of Hawai'i Press, Honolulu ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441671479; 1441671471; 9780824860752; 0824860756
    Umfang: 1 Online-Ressource (ix, 200 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  6. The other women's lib
    gender and body in Japanese women's fiction
    Erschienen: 2010
    Verlag:  University of Hawai'i Press, Honolulu

    The Other Women's Lib provides the first systematic analysis of Japanese literary feminist discourse of the 1960s--a full decade before the "women's lib" movement emerged in Japan. It highlights the work of three well-known female fiction writers of... mehr

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    The Other Women's Lib provides the first systematic analysis of Japanese literary feminist discourse of the 1960s--a full decade before the "women's lib" movement emerged in Japan. It highlights the work of three well-known female fiction writers of this generation (Kono Taeko, Takahashi Takako, and Kurahashi Yumiko) for their avant-garde literary challenges to dominant models of femininity. Focusing on four tropes persistently employed by these writers to protest oppressive gender stereotypes--the disciplinary masculine gaze, feminist misogyny, "odd bodies," and female homoeroticism--Julia Bullock brings to the fore their previously unrecognized theoretical contributions to second-wave radical feminist discourse. In all of these narrative strategies, the female body is viewed as both the object and instrument of engendering. Severing the discursive connection between bodily sex and gender is thus a primary objective of the narratives and a necessary first step toward a less restrictive vision of female subjectivity in modern Japan. The Other Women's Lib further demonstrates that this "gender trouble" was historically embedded in the socioeconomic circumstances of the high-growth economy of the 1960s, when prosperity was underwritten by an increasingly conservative gendered division of labor that sought to confine women within feminine roles. Raised during the war to be "good wives and wise mothers" yet young enough to take advantage of the opportunities presented to them by Occupation-era reforms, the authors who fueled the 1960s boom in women's literary publication staunchly resisted normative constructions of gender, crafting narratives that exposed or subverted hegemonic discourses of femininity that relegated women to the negative pole of a binary opposition to men. Their fictional heroines are unapologetically bad wives and even worse mothers; they are often wanton, excessive, or selfish and brazenly cynical with regard to traditional love, marriage, and motherhood. The Other Women's Lib affords a cogent and incisive analysis of these texts as feminist philosophy in fictional form, arguing persuasively for the inclusion of such literary feminist discourse in the broader history of Japanese feminist theoretical development. It will be accessible to undergraduate audiences and deeply stimulating to scholars and others interested in gender and culture in postwar Japan, Japanese women writers, or Japanese feminism.

     

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