This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simon?s fiction in the light of his...
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Universitätsbibliothek der Eberhard Karls Universität
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This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simon?s fiction in the light of his large-scale autobiographical novel Le Jardin des Plantes (1997). From a variety of perspectives? postmodernist, psychoanalytic, aesthetic? contributors reflect on the central paradox of Simon?s work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it. The layers of artifice in L
Includes bibliographical references (pages 205-230). - Print version record
Print version record
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Verlag:
Liverpool University Press, Liverpool
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EBSCO Industries, Inc., Birmingham, AL, USA
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simon?s fiction in the light of his...
mehr
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simon?s fiction in the light of his large-scale autobiographical novel Le Jardin des Plantes (1997). From a variety of perspectives? postmodernist, psychoanalytic, aesthetic? contributors reflect on the central paradox of Simon?s work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it. The layers of artifice in L.
