Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 3 von 3.

  1. Figuring the past
    period film and the Mannerist aesthetic
    Autor*in: Vidal, Belén
    Erschienen: 2012
    Verlag:  Amsterdam Univ. Press, Amsterdam

    Includes bibliographical references and index This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

     

    Includes bibliographical references and index This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - struc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789089642813; 1283698242; 9789089642820
    RVK Klassifikation: AP 52600
    Schriftenreihe: Film culture in transition
    Schlagworte: Historischer Film; Ästhetik;
    Umfang: Online-Ressource (256 S.)
    Bemerkung(en):

    Description based upon print version of record

    Figuring the Past; Table of Contents; Acknowledgements; Introduction - Period Film and the Mannerist Moment; Chapter 1 - A Poetics of Figuration; Chapter 2 - Present in the Past: The House; Chapter 3 - Time and the Image: The Tableau; Chapter 4 - The Scene of Writing: The Letter; Conclusion - Second Sight: Reviewing th e Past, Figuring the Present; Notes; Bibliography; Index of Film Titles; Index of Names and Subjects;

    Electronic reproduction; Available via World Wide Web
  2. Figuring the past
    period film and the mannerist aesthetic
    Autor*in: Vidal, Belén
    Erschienen: ©2012
    Verlag:  Amsterdam University Press, Amsterdam

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1283698242; 9048513537; 9089642811; 9781283698245; 9789048513536; 9789089642813
    Schriftenreihe: Film culture in transition
    Schlagworte: PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / General; Historical films; Motion pictures; Motion pictures and history; Renaissance; Film; Historical films; Motion pictures and history; Renaissance in motion pictures; Historischer Film; Ästhetik
    Umfang: 1 Online-Ressource (256 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: period film and the mannerist moment -- - A poetics of figuration -- - Present in the past: The house -- - Time and the image: the tableau -- - The scene of writing: the letter -- - Conclusion-Second sight: reviewing the past, figuring the present

    "This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing notions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies."--Publisher's website
  3. Figuring the past
    period film and the mannerist aesthetic
    Autor*in: Vidal, Belén
    Erschienen: ©2012
    Verlag:  Amsterdam University Press, Amsterdam

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Berlin International University of Applied Sciences, Hans-Dieter Klingemann Library
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    FULL ((OIS Credentials Required))
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1283698242; 9048513537; 9089642811; 9781283698245; 9789048513536; 9789089642813
    Schriftenreihe: Film culture in transition
    Schlagworte: PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / General; Historical films; Motion pictures; Motion pictures and history; Renaissance; Film; Historical films; Motion pictures and history; Renaissance in motion pictures; Historischer Film; Ästhetik
    Umfang: 1 Online-Ressource (256 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: period film and the mannerist moment -- - A poetics of figuration -- - Present in the past: The house -- - Time and the image: the tableau -- - The scene of writing: the letter -- - Conclusion-Second sight: reviewing the past, figuring the present

    "This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing notions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies."--Publisher's website