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  1. The 'invisible hand' and British fiction 1818-1860
    Adam Smith, political economy, and the genre of realism
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having absorbed his model of ironic causality in complex societies and turned it to their own purposes. The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having absorbed his model of ironic causality in complex societies and turned it to their own purposes

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1283097044; 9780230290785; 9780230304987; 9781283097048
    RVK Klassifikation: HL 1101 ; HL 1331
    Schriftenreihe: Palgrave studies in nineteenth-century writing and culture
    Schlagworte: Social problems in literature; Capitalism and literature; English fiction; Capitalism in literature; Economics in literature
    Weitere Schlagworte: Smith, Adam (1723-1790)
    Umfang: Online-Ressource (xi, 251 p), ill
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Series page; Title page; Copyright; Dedication; Contents; Acknowledgements; Abbreviations; Introduction: Capitalist Moral Philosophy, Narrative Technology, and the Boundaries of the Nation-State; Part I Reading Adam Smith; 1 Imaginary Vantage Points: The Invisible Hand and the Rise of Political Economy; Part II Early Nineteenth- Century Novels and Invisible Hand Social Theory; 2 Omniscient Narrators and the Return of the Gothic in Northanger Abbey and Bleak House; 3 Providential Endings: Martineau, Dickens, and the Didactic Task of Political Economy

    4 Ripple Effects and the Fog of War in Vanity Fair5 Inappropriate Sympathies in Gaskell and Eliot; Conclusion: Realist Capitalism, Gothic Capitalism; Notes; Bibliography; Index