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  1. Literature, cinema and politics, 1930-1945
    reading between the frames
    Autor*in: Feigel, Lara
    Erschienen: 2010
    Verlag:  Edinburgh University Press, Edinburgh ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. Lara Feigel crosses boundaries between high modernism and social realism and between 'high' and 'popular' culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Field.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748642656; 074864265X; 1282749897; 9781282749894
    RVK Klassifikation: AP 47000 ; AP 47600 ; HM 1031 ; HM 1071 ; HM 1274
    Schlagworte: Dokumentarfilm; Film; Film <Motiv>; Politischer Film
    Weitere Schlagworte: Woolf, Virginia (1882-1941)
    Umfang: 1 Online-Ressource (x, 292 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 272-284) and index

  2. Literature, cinema and politics, 1930-1945
    reading between the frames
    Autor*in: Feigel, Lara
    Erschienen: 2010
    Verlag:  Edinburgh University Press, Edinburgh

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. Lara Feigel crosses boundaries between high modernism and social realism and between 'high' and 'popular' culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Field Contents -- Acknowledgements -- List of figures -- Introduction -- 1. Radical cinema -- 2. Mass observing: the 1930s documentary gaze -- 3. The documentary movement and mass leisure, 1930-1945 -- 4. Camera consciousness -- 5. Framing history: Virginia Woolf and the politicisation of aesthetics -- 6. 'The savage and austere light of a burning world': the cinematic blitz -- Afterword -- Endnotes -- Bibliography -- Index

     

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