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  1. The key of green
    passion and perception in Renaissance culture
    Autor*in: Smith, Bruce R.
    Erschienen: 2009
    Verlag:  University of Chicago Press, Chicago ; EBSCO Industries, Inc., Birmingham, AL, USA

    From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things,... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things, green was the most common color of household goods, the recommended wall color against which to view paintings, the hue that was supposed to appear in alchemical processes at the moment base metal turned to gold, and the color most frequently associated with human passions of all sorts. A unique cultural history, The Key of Green considers the sign.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226763811; 0226763811; 0226763781; 9780226763781; 128253758X; 9781282537583
    RVK Klassifikation: HI 1161
    Schlagworte: Englisch; Literatur; Farbe <Motiv>; Visuelle Wahrnehmung <Motiv>; Sinne <Motiv>
    Umfang: 1 Online-Ressource (326 pages, [16] pages of plates), Illustrations (some color), music
    Bemerkung(en):

    Includes bibliographical references (pages 259-313) and indexes
  2. The key of green
    passion and perception in Renaissance culture
    Autor*in: Smith, Bruce R.
    Erschienen: 2009
    Verlag:  University of Chicago Press, Chicago

    From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things,... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things, green was the most common color of household goods, the recommended wall color against which to view paintings, the hue that was supposed to appear in alchemical processes at the moment base metal turned to gold, and the color most frequently associated with human passions of all sorts. A unique cultural history, The Key of Green considers the sign

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226763781; 128253758X; 9781282537583; 9780226763811; 9780226763781
    Schlagworte: Visual perception in literature; Senses and sensation in literature; Mind and body in literature; Color; English literature; Color (Philosophy); Color in literature
    Umfang: Online-Ressource (326 p., [16] p. of plates), ill. (some col.), music, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [259]-313) and indexes

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction: About Green; 1 Light at 500-510 Nanometers and the Seventeenth-Century Crisis of Consciousness; 2 Green Stuff; 3 Between Black and White; 4 Green Spectacles; 5 Listening for Green; 6 The Curtain between the Theatre and the Globe; Afterword: Coloring Books; Notes; Index of Subjects and Names; Index of Images