Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Making love modern
    the intimate public worlds of New York's literary women
    Autor*in: Miller, Nina
    Erschienen: 1999
    Verlag:  Oxford University Press, New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0195116046; 0195116054; 0585328447; 1280470100; 9780195116045; 9780195116052; 9780585328447; 9781280470103
    Schlagworte: Women authors, American; LITERARY CRITICISM / American / General; American literature; American literature / Women authors; Feminism and literature; Feminist poetry; Love poetry, American / Women authors; Modernism (Literature); Women and literature; Women authors, American; Women / Intellectual life; Frau; Geschichte; American literature; Feminism and literature; Women and literature; Women authors, American; Love poetry, American; American literature; American literature; Women; Modernism (Literature); Feminist poetry; Feminismus; Frauenlyrik; Liebeslyrik; Geschichte; Schriftstellerin
    Umfang: 1 Online-Ressource (ix, 292 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 247-284) and index

    Edna St. Vincent Millay -- Love in Greenwich Village: Genevieve Taggard and the Bohemian ideal -- Aestheticized love and sexual violence -- The Algonquin round table and the politics of sophistication -- "Oh, do sit down, I've got so much to tell you!": Dorothy Parker and her intimate public -- "The new (and newer) Negro(es)": generational conflict in the Harlem Renaissance -- "Exalting Negro womanhood": performance and cultural responsibility for the middle-class heroine -- "Our younger Negro (women) artists": Gwendolyn Bennett and Helene Johnson

    In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Edna St. Vincent Millay and Dorothy Parker are now best remembered for their colourful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest of these women's love poetry. Placing their work in the context of subcultures nested within national culture, Nina Miller explores the tensions that make this literature so rewarding for contemporary readers. A poetry of intimate expression, it also functioned powerfully as public assertion.; The writers themselves were high-profile embodiments of femininity, the local representatives of New Womanhood within their male-centred subcultural worlds. Making Love Modern captures the literary lives of these women as well as the complex subcultures they inhabited-Harlem, the Village, and glamorous Midtown. In the end, the book is a much a study of modernist New York as of women's love poetry during modernism
  2. Making love modern
    the intimate public worlds of New York's literary women
    Autor*in: Miller, Nina
    Erschienen: 1999
    Verlag:  Oxford University Press, New York

    Contents -- Introduction -- ONE: Edna St. Vincent Millay -- TWO: Love in Greenwich Village: Genevieve Taggard and the Bohemian Ideal -- THREE: Aestheticized Love and Sexual Violence -- FOUR: The Algonquin Round Table and the Politics of... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Contents -- Introduction -- ONE: Edna St. Vincent Millay -- TWO: Love in Greenwich Village: Genevieve Taggard and the Bohemian Ideal -- THREE: Aestheticized Love and Sexual Violence -- FOUR: The Algonquin Round Table and the Politics of Sophistication -- FIVE: ""Oh, do sit down, I've got so much to tell you!"": Dorothy Parker and Her Intimate Public -- SIX: ""The New (and Newer) Negro(es)"": Generational Conflict in the Harlem Renaissance -- SEVEN: ""Exalting Negro Womanhood"": Performance and Cultural Responsibility for the Middle-Class Heroine EIGHT: ""Our Younger Negro (Women) Artists"": Gwendolyn Bennett and Helene Johnson -- Afterword -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Y -- Z

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. Making love modern
    the intimate public worlds of New York's literary women
    Erschienen: 1999
    Verlag:  Oxford University Press, New York

    In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Edna St. Vincent Millay and Dorothy Parker are now best remembered for their colourful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest of these women's love poetry. Placing their work in the context of subcultures nested within national culture, Nina Miller explores the tensions that make this literature so rewarding for contemporary readers. A poetry of intimate expression, it also functioned powerfully as public assertion.; The writers themselves were high-profile embodiments of femininity, the local representatives of New Womanhood within their male-centred subcultural worlds. Making Love Modern captures the literary lives of these women as well as the complex subcultures they inhabited-Harlem, the Village, and glamorous Midtown. In the end, the book is a much a study of modernist New York as of women's love poetry during modernism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195116052; 0195116054; 1280470100; 9781280470103; 9780195116045; 0195116046; 0585328447; 9780585328447
    Schlagworte: American literature; Feminism and literature; Women and literature; Women authors, American; Love poetry, American; American literature; American literature; Women; Modernism (Literature); Feminist poetry; Love poetry, American; American literature; American literature; Women; Modernism (Literature); Feminist poetry; American literature; Women authors, American; Feminism and literature; Women and literature; American literature; Women; Modernism (Literature); Feminist poetry; American literature; American literature; Women authors, American; Women and literature; Love poetry, American; Feminism and literature; Women authors, American; American literature; American literature ; Women authors; Feminism and literature; Feminist poetry; Love poetry, American ; Women authors; Modernism (Literature); Women and literature; Women authors, American; Women ; Intellectual life; LITERARY CRITICISM ; American ; General; History; Biographies; Criticism, interpretation, etc
    Umfang: Online Ressource (ix, 292 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 247-284) and index. - Description based on print version record

    Edna St. Vincent MillayLove in Greenwich Village: Genevieve Taggard and the Bohemian ideal -- Aestheticized love and sexual violence -- The Algonquin round table and the politics of sophistication -- "Oh, do sit down, I've got so much to tell you!": Dorothy Parker and her intimate public -- "The new (and newer) Negro(es)": generational conflict in the Harlem Renaissance -- "Exalting Negro womanhood": performance and cultural responsibility for the middle-class heroine -- "Our younger Negro (women) artists": Gwendolyn Bennett and Helene Johnson.
  4. Making love modern
    the intimate public worlds of New York's literary women
    Autor*in: Miller, Nina
    Erschienen: 1999
    Verlag:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Edna St. Vincent Millay and Dorothy Parker are now best remembered for their colourful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest of these women's love poetry. Placing their work in the context of subcultures nested within national culture, Nina Miller explores the tensions that make this literature so rewarding for contemporary readers. A poetry of intimate expression, it also functioned powerfully as public assertion.; The writers themselves were high-profile embodiments of femininity, the local representatives of New Womanhood within their male-centred subcultural worlds. Making Love Modern captures the literary lives of these women as well as the complex subcultures they inhabited-Harlem, the Village, and glamorous Midtown. In the end, the book is a much a study of modernist New York as of women's love poetry during modernism.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585328447; 9780585328447; 9780195116052; 0195116054; 1280470100; 9781280470103; 9780195116045; 0195116046
    RVK Klassifikation: HU 1732 ; HU 1761
    Umfang: 1 Online-Ressource (ix, 292 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 247-284) and index