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  1. Reading the eighteenth-century novel
    Erschienen: 2017
    Verlag:  John Wiley & Sons, Inc, Hoboken

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the... mehr

    Zugang:
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1118621115; 1118621131; 1118621093; 111862114X; 1118621107; 9781118621097; 9781118621110; 9781118621141; 9781118621103; 9781118621134
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Reading the novel
    Schlagworte: English fiction; Books and reading; Books and reading; Great Britain; Criticism, interpretation, etc; History; LITERARY CRITICISM ; General; English fiction
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Acknowledgments viii 1 The World That Made the Novel 1 2 Oroonoko (1688) 34 3 Moll Flanders (1722) 51 4 Pamela, or Virtue Rewarded (1740) 66 5 The History of Tom Jones, A Foundling (1749) 81 6 The Life and Opinions of Tristram Shandy, Gent. (1759-1767) 100 7 Evelina: The History of a Young Lady's Entrance into the World (1778) 117 8 The Mysteries of Udolpho (1794) 131 9 Things As They Are, or The Adventures of Caleb Williams (1794) 151 10 Waverley, or 'Tis Sixty Years Since (1814) 171 11 Emma (1815) 189 12 The World the Novel Made 213 Selected Further Reading 226 Index 000

  2. Reading the eighteenth-century novel
    Erschienen: 2017
    Verlag:  John Wiley & Sons, Inc, Hoboken

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    eBook Wiley
    keine Fernleihe
    Technische Universität Chemnitz, Universitätsbibliothek
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Universitätsbibliothek Mannheim
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Universitätsbibliothek Rostock
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1118621115; 1118621131; 1118621093; 111862114X; 1118621107; 9781118621097; 9781118621110; 9781118621141; 9781118621103; 9781118621134
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Reading the novel
    Schlagworte: English fiction; Books and reading; Books and reading; Great Britain; Criticism, interpretation, etc; History; LITERARY CRITICISM ; General; English fiction; Roman anglais - 18e siècle - Histoire et critique; Livres et lecture - Grande-Bretagne - Histoire - 18e siècle
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Acknowledgments viii 1 The World That Made the Novel 1 2 Oroonoko (1688) 34 3 Moll Flanders (1722) 51 4 Pamela, or Virtue Rewarded (1740) 66 5 The History of Tom Jones, A Foundling (1749) 81 6 The Life and Opinions of Tristram Shandy, Gent. (1759-1767) 100 7 Evelina: The History of a Young Lady's Entrance into the World (1778) 117 8 The Mysteries of Udolpho (1794) 131 9 Things As They Are, or The Adventures of Caleb Williams (1794) 151 10 Waverley, or 'Tis Sixty Years Since (1814) 171 11 Emma (1815) 189 12 The World the Novel Made 213 Selected Further Reading 226 Index 000

  3. Reading the eighteenth-century novel
    Erschienen: [2017]
    Verlag:  John Wiley & Sons, Inc., Hoboken

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the... mehr

    Technische Hochschulbibliothek Rosenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1118621093; 1118621131; 9781118621097; 9781118621134
    Weitere Identifier:
    RVK Klassifikation: HK 1274
    Auflage/Ausgabe: First edition
    Schlagworte: Criticism, interpretation, etc; History; LITERARY CRITICISM / General; Books and reading; English fiction; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Geschichte; English fiction / 18th century / History and criticism; Books and reading / Great Britain / History / 18th century; Englisch; Roman
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references and index. - Machine generated contents note: Acknowledgments viii 1 The World That Made the Novel 1 2 Oroonoko (1688) 34 3 Moll Flanders (1722) 51 4 Pamela, or Virtue Rewarded (1740) 66 5 The History of Tom Jones, A Foundling (1749) 81 6 The Life and Opinions of Tristram Shandy, Gent. (1759-1767) 100 7 Evelina: The History of a Young Lady's Entrance into the World (1778) 117 8 The Mysteries of Udolpho (1794) 131 9 Things As They Are, or The Adventures of Caleb Williams (1794) 151 10 Waverley, or 'Tis Sixty Years Since (1814) 171 11 Emma (1815) 189 12 The World the Novel Made 213 Selected Further Reading 226 Index 000

  4. Reading the Eighteenth-Century Novel
    Erschienen: 2017
    Verlag:  John Wiley & Sons, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781118621134; 1118621131
    Weitere Identifier:
    9781118621134
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Reading the Novel
    Weitere Schlagworte: (Produktform)Electronic book text; (BISAC Subject Heading)LAN000000; Literature; Literaturwissenschaft; Romane; The Novel; LT21: Romane; (VLB-WN)9560: Nonbooks, PBS / Sprachwissenschaft, Literaturwissenschaft
    Umfang: Online-Ressourcen, 248 Seiten
    Bemerkung(en):

    Lizenzpflichtig

  5. Reading the eighteenth-century novel
    Erschienen: 2017
    Verlag:  John Wiley & Sons, Hoboken ; John Wiley & Sons, Inc., Hoboken, NJ

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the... mehr

    Zugang:
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe

     

    "This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"--...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781118621110; 1118621115; 9781118621134; 1118621131; 9781118621097; 1118621093
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Reading the novel
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Machine generated contents note: Acknowledgments viii 1 The World That Made the Novel 1 2 Oroonoko (1688) 34 3 Moll Flanders (1722) 51 4 Pamela, or Virtue Rewarded (1740) 66 5 The History of Tom Jones, A Foundling (1749) 81 6 The Life and Opinions of Tristram Shandy, Gent

    Includes bibliographical references and index