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  1. A Companion to Literature, Film and Adaptation
    Beteiligt: Cartmell, Deborah (Herausgeber)
    Erschienen: 2012
    Verlag:  John Wiley & Sons, New York, NY

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Cartmell, Deborah (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781118312049; 111831204X
    Weitere Identifier:
    9781118312049
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Blackwell Companions to Literature and Culture
    Weitere Schlagworte: (Produktform)Electronic book text; (BISAC Subject Heading)ART000000; 20th Century English Literature; Cultural Studies; Englische Literatur / 20. Jhd.; Film; Film Studies; Filmforschung; Kulturwissenschaften; Literature; Literaturverfilmung; Literaturwissenschaft; Romane; The Novel; CU40: Filmforschung; LT21: Romane; LT48: Englische Literatur / 20. Jhd.; (VLB-WN)9587: Nonbooks, PBS / Kunst/Fotografie, Film, Video, TV
    Umfang: Online-Ressource
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  2. A Companion to Literature, Film and Adaptation
    Autor*in: Cartmell, Deborah
    Erschienen: 2012
    Verlag:  Wiley-Blackwell, [s.l.]

    This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and... mehr

    Standort:
    Universitätsbibliothek Braunschweig
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Standort:
    Universitätsbibliothek Osnabrück
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    This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today's acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studiesFeatures a chapter on the Harry Potter franchise, as well as other contemporary perspectivesShowca This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force.Incorporates new research in adaptation studiesFeatures a chapter on the Harry Potter franchise, as well as other contemporary perspectivesShowcases work by leading Shakespeare adaptation scholarsExplores fascinating topics such as ‘unfilmable’ textsIncludes detailed considerations of Ian McEwan’s Atonementand Conrad’s Heart of Darkness

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1444334972; 111831204X; 1118326083; 1782686053; 1118917537; 1118312031; 9781118312049; 9781118326084; 9781782686057; 9781118917534; 9781118312032
    Weitere Identifier:
    RVK Klassifikation: AP 47600 ; HG 260
    Auflage/Ausgabe: 1. Aufl.
    Schriftenreihe: Blackwell Companions to Literature and Culture
    Schlagworte: Verfilmung; Literatur; ; Adaption <Literatur>; Film;
    Umfang: Online Ressource (PDF, 10272 KB, 448 S.)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    LITERATURE, FILM, AND ADAPTATION; Contents; Contributors; Acknowledgments; Foreword: Kamilla Elliott; 100+ Years of Adaptations, or, Adaptation as the Art Form of Democracy; Part I: History and Contexts: From Image to Sound; 1: Literary Adaptation in the Silent Era; 2: Writing on the Silent Screen; 3: Adaptation and Modernism; 4: Sound Adaptation Sam Taylor's The Taming of the Shrew; Part II: Approaches; 5: Adaptation and Intertextuality, or, What isn't an Adaptation, and What Does it Matter?; 6: Film Authorship and Adaptation; 7: The Business of Adaptation Reading the Market

    Part III: Genre: Film, Television8: Adapting the X-Men Comic-Book Narratives in Film Franchises; 9: The Classic Novel on British Television; Part IV: Authors and Periods; 10: Screened Writers; 11: Murdering Othello; 12: Hamlet's Hauntographology Film Philology, Facsimiles, and Textual Faux-rensics; 13: Shakespeare to Austen on Screen; 14: Austen and Sterne: Beyond Heritage; 15: Neo-Victorian Adaptations; Part V: Beyond Authors and Canonical Texts; 16: Costume and Adaptation; 17: Music into Movies The Film of the Song; 18: Rambo on Page and Screen

    Part VI: Case Studies: Adaptable and Unadaptable Texts19: Writing for the Movies Writing and Screening Atonement (2007); 20: Foregrounding the Media Atonement (2007) as an Adaptation; 21: Paratextual Adaptation Heart of Darkness as Hearts of Darkness via Apocalypse Now; 22: Authorship, Commerce, and Harry Potter; 23: Adapting the Unadaptable - The Screenwriter's Perspective; Index