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  1. Chaucer's "House of fame" and its Boccaccian intertexts
    image, vision, and the vernacular
    Erschienen: [2016]; ©2016
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an... mehr

    Herzog August Bibliothek Wolfenbüttel
    67.3907
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an exciting window onto late medieval English literary culture at a moment of profound change. He, and they, newly took up the vernacular against conventional wisdom as the medium to explore philosophical, aesthetic, and theological questions. By reading the House of Fame only as a Dantean poem, many readers have done it a disservice and missed much of the poem's important dialogue with Boccaccio; he left many legacies for Chaucer, the most important of which was a vernacular model for departing from Dantean poetics. Boccaccio also foregrounded a poetics of mural ekphrasis. Chaucer eagerly adopts this, but also fills the House of Fame with a striking concentration of three-dimensional visual images, some evoking the religious statuary of his own time, and some the theme of Apocalypse then popular. Since for the later medieval layperson and cleric, visual literacy often took precedence over literacy of the written word, it is important that we read poetic texts in the context of images. In the House of Fame Chaucer begins to present his own vision (however unfinished) as commensurate with Dante's or even Boccaccio's; the poem has much to tell us about his early acquaintance with the Italian poets and his restless struggle to understand and visualize fame, even on their terms. It is a poem always on the move, always in the process of its own "makyng," flaws and all. We must take it as it is, but we must also see it as a "work in progress," a rich and fascinating record of Chaucer's discovery of new intellectual horizons in the years after his sojourns in Italy"-- Boccaccio's Narrative Arts: Text, Ekphrasis, Image -- Statuary and Ekphrasis in the House of Fame, Book 1: Rewriting Boccaccio -- House of Fame, Book 2: Renavigating Flight in the Dream Vision -- Visualizing Fame in House of Fame, Book 3 -- House of Fame, Book 3: Fame's Adherents and the House of Rumour

     

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  2. Chaucer's House of Fame and its Boccaccian intertexts
    image, vision, and the vernacular
    Erschienen: [2016]; © 2016
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto, Ontario

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
    keine Fernleihe

     

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an exciting window onto late medieval English literary culture at a moment of profound change. He, and they, newly took up the vernacular against conventional wisdom as the medium to explore philosophical, aesthetic, and theological questions. By reading the House of Fame only as a Dantean poem, many readers have done it a disservice and missed much of the poem's important dialogue with Boccaccio; he left many legacies for Chaucer, the most important of which was a vernacular model for departing from Dantean poetics. Boccaccio also foregrounded a poetics of mural ekphrasis. Chaucer eagerly adopts this, but also fills the House of Fame with a striking concentration of three-dimensional visual images, some evoking the religious statuary of his own time, and some the theme of Apocalypse then popular. Since for the later medieval layperson and cleric, visual literacy often took precedence over literacy of the written word, it is important that we read poetic texts in the context of images. In the House of Fame Chaucer begins to present his own vision (however unfinished) as commensurate with Dante's or even Boccaccio's; the poem has much to tell us about his early acquaintance with the Italian poets and his restless struggle to understand and visualize fame, even on their terms. It is a poem always on the move, always in the process of its own "makyng," flaws and all. We must take it as it is, but we must also see it as a "work in progress," a rich and fascinating record of Chaucer's discovery of new intellectual horizons in the years after his sojourns in Italy."--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780888442062; 0888442068
    Schriftenreihe: Studies and texts / Pontifical Institute of Mediaeval Studies ; 206
    Schlagworte: Kunst; Literatur; Wissen
    Weitere Schlagworte: Boccaccio, Giovanni (1313-1375): L' Amorosa Visione; Chaucer, Geoffrey (1343-1400): The house of fame; Chaucer, Geoffrey / -1400 / House of fame; Chaucer, Geoffrey / -1400 / Criticism and interpretation; Chaucer, Geoffrey / -1400 / Knowledge / Literature; Boccaccio, Giovanni / 1313-1375 / Influence; Dante Alighieri / 1265-1321 / Influence; English poetry / Italian influences; Imagery (Psychology) in literature; Vision in literature; Chaucer, Geoffrey / -1400 / House of fame; Chaucer, Geoffrey / -1400 / Critique et interprétation; Chaucer, Geoffrey / -1400 / Et la littérature; Boccaccio, Giovanni / 1313-1375 / Influence; Dante Alighieri / 1265-1321 / Influence; Poésie anglaise / Influence italienne; Imagerie (Psychologie) dans la littérature; Vision dans la littérature; Boccaccio, Giovanni / 1313-1375; Chaucer, Geoffrey / -1400; Dante Alighieri / 1265-1321; House of fame (Chaucer, Geoffrey); Art; English poetry / Italian influences; Imagery (Psychology) in literature; Influence (Literary, artistic, etc.); Vision in literature; Criticism, interpretation, etc; Literature
    Umfang: xvi, 228 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Boccaccio's Narrative Arts: Text, Ekphrasis, Image -- Statuary and Ekphrasis in the House of Fame, Book 1: Rewriting Boccaccio -- House of Fame, Book 2: Renavigating Flight in the Dream Vision -- Visualizing Fame in House of Fame, Book 3 -- House of Fame, Book 3: Fame's Adherents and the House of Rumour

  3. Chaucer's House of fame and its Boccaccian intertexts
    image, vision, and the vernacular
    Erschienen: [2016]; ©2016
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto, Ontario

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an... mehr

    Universitätsbibliothek Heidelberg
    2018 A 2095
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    67.3907
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study of the House of Fame is the product of a long-time fascination with the poem. The thought of Chaucer having newly returned from several trips to Italy and engaging with the writings of Dante and Boccaccio for the first time, offered an exciting window onto late medieval English literary culture at a moment of profound change. He, and they, newly took up the vernacular against conventional wisdom as the medium to explore philosophical, aesthetic, and theological questions. By reading the House of Fame only as a Dantean poem, many readers have done it a disservice and missed much of the poem's important dialogue with Boccaccio; he left many legacies for Chaucer, the most important of which was a vernacular model for departing from Dantean poetics. Boccaccio also foregrounded a poetics of mural ekphrasis. Chaucer eagerly adopts this, but also fills the House of Fame with a striking concentration of three-dimensional visual images, some evoking the religious statuary of his own time, and some the theme of Apocalypse then popular. Since for the later medieval layperson and cleric, visual literacy often took precedence over literacy of the written word, it is important that we read poetic texts in the context of images. In the House of Fame Chaucer begins to present his own vision (however unfinished) as commensurate with Dante's or even Boccaccio's; the poem has much to tell us about his early acquaintance with the Italian poets and his restless struggle to understand and visualize fame, even on their terms. It is a poem always on the move, always in the process of its own "makyng," flaws and all. We must take it as it is, but we must also see it as a "work in progress," a rich and fascinating record of Chaucer's discovery of new intellectual horizons in the years after his sojourns in Italy"-- Boccaccio's Narrative Arts: Text, Ekphrasis, Image -- Statuary and Ekphrasis in the House of Fame, Book 1: Rewriting Boccaccio -- House of Fame, Book 2: Renavigating Flight in the Dream Vision -- Visualizing Fame in House of Fame, Book 3 -- House of Fame, Book 3: Fame's Adherents and the House of Rumour

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format