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  1. The politics of unease
    in the plays of John Fletcher
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst, Mass.

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    21.016.67
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    N* F 1 104
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870238922
    RVK Klassifikation: HI 2155
    Schriftenreihe: Massachusetts studies in early modern culture
    Umfang: XIII, 338 S.
    Bemerkung(en):

    Literaturverz. S. 313 - 332

  2. The politics of unease in the plays of John Fletcher
    Erschienen: © 1994
    Verlag:  University of Massachusetts Press, Amherst, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585253285; 0870238922; 9780585253282; 9780870238925
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Political and social views; Political plays, English; Politics and literature; Toneelstukken; Théâtre politique anglais / Histoire et critique; Politique et littérature / Grande-Bretagne / 17e siècle; Science politique / Dans la littérature; Sozialer Konflikt; Politischer Konflikt; Drama; Politik; Drama; Geschichte; Politics and literature; Political plays, English; Sozialer Konflikt; Drama; Politischer Konflikt; Politik
    Weitere Schlagworte: Fletcher, John / 1579-1625; Fletcher, John / 1579-1625; Fletcher, John / (1579-1625) / Pensée politique et sociale; Fletcher, John (Schriftsteller); Fletcher, John (1579-1625); Fletcher, John (1579-1625)
    Umfang: 1 Online-Ressource (xiii, 338 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 313-332) and index

    1. Parentage and Patronage -- 2. "This is a pretty Riot / It may grow to a rape" -- 3. The Reason in Treason -- 4. Collaboration -- 5. "Strange carded cunningnesse" -- 6. Discovery -- Coda. "Strange bifronted posture" -- Appendix 1: Family Trees of Beaumont, Fletcher, Huntingdon -- Appendix 2: Chronology for the Plays of John Fletcher and His Collaborators

    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English Renaissance, it has remained largely unexplored by critics. Arguing that knowledge of Fletcher's oeuvre is essential to an understanding of Renaissance drama as a whole, this groundbreaking study analyses Fletcher's unique response to the particular cultural and political conditions of Jacobean theater. Fletcher wrote ironic, tragicomic plays premised upon complex cultural matrices that create unease in audience and critic alike. In examining the sources of this unease, Gordon McMullan rejects centralizing approaches and focuses instead on the social and political tensions - between London and the country, England and the colonies, women and men - that motivate the plays. In so doing, he seeks appropriate ways of reading a group of plays which, by way of their politics, generic complexities, and collaborative mode of production, appear to defy current critical practices

  3. The politics of unease in the plays of John Fletcher
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst

    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English... mehr

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
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    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English Renaissance, it has remained largely unexplored by critics. Arguing that knowledge of Fletcher's oeuvre is essential to an understanding of Renaissance drama as a whole, this groundbreaking study analyses Fletcher's unique response to the particular cultural and political conditions of Jacobean theater. Fletcher wrote ironic, tragicomic plays premised upon complex cultural matrices that create unease in audience and critic alike. In examining the sources of this unease, Gordon McMullan rejects centralizing approaches and focuses instead on the social and political tensions - between London and the country, England and the colonies, women and men - that motivate the plays. In so doing, he seeks appropriate ways of reading a group of plays which, by way of their politics, generic complexities, and collaborative mode of production, appear to defy current critical practices.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 0870238922
    RVK Klassifikation: HI 2155
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Toneelstukken; Drama; Geschichte; Political plays, English; Politics and literature; Drama; Politischer Konflikt; Politik; Sozialer Konflikt
    Weitere Schlagworte: Fletcher, John <1579-1625>; Fletcher, John (1579-1625)
    Umfang: XIII, 338 S., Ill., Kt.
    Bemerkung(en):

    Zugl.: Oxford, Univ., Diss., 1991

  4. The politics of unease in the plays of John Fletcher
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Pr., Amherst, Mass.

    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 234006
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 94/8811
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    95 A 5013
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    95/3182
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    Universitätsbibliothek Heidelberg
    95 A 1087
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    Anglistisches Seminar der Universität, Bibliothek
    K FLE 1102
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    eng 899:f614:q/m12
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 935 fle 7-7 CB 3378
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    Universität Potsdam, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    61 A 5283
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    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English Renaissance, it has remained largely unexplored by critics. Arguing that knowledge of Fletcher's oeuvre is essential to an understanding of Renaissance drama as a whole, this groundbreaking study analyses Fletcher's unique response to the particular cultural and political conditions of Jacobean theater. Fletcher wrote ironic, tragicomic plays premised upon complex cultural matrices that create unease in audience and critic alike. In examining the sources of this unease, Gordon McMullan rejects centralizing approaches and focuses instead on the social and political tensions―between London and the country, England and the colonies, women and men―that motivate the plays. In so doing, he seeks appropriate ways of reading a group of plays which, by way of their politics, generic complexities, and collaborative mode of production, appear to defy current critical practices.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870238922
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Politics and literature; Political plays, English; Drama
    Weitere Schlagworte: Fletcher, John; Fletscher, John
    Umfang: XIII, 338 S, Ill., graph. Darst., Kt, 24 cm
    Bemerkung(en):

    Literaturverz. S. 313 - 332

    Literaturverz. S. 313 - 332

  5. The politics of unease in the plays of John Fletcher
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst

    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    John Fletcher (1579-1625) was Shakespeare's successor as chief playwright for the King's Company and wrote or collaborated on fifty-four plays. Yet although his work forms the single most substantial canon of drama to come down from the English Renaissance, it has remained largely unexplored by critics. Arguing that knowledge of Fletcher's oeuvre is essential to an understanding of Renaissance drama as a whole, this groundbreaking study analyses Fletcher's unique response to the particular cultural and political conditions of Jacobean theater. Fletcher wrote ironic, tragicomic plays premised upon complex cultural matrices that create unease in audience and critic alike. In examining the sources of this unease, Gordon McMullan rejects centralizing approaches and focuses instead on the social and political tensions - between London and the country, England and the colonies, women and men - that motivate the plays. In so doing, he seeks appropriate ways of reading a group of plays which, by way of their politics, generic complexities, and collaborative mode of production, appear to defy current critical practices.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 0870238922
    RVK Klassifikation: HI 2155
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Toneelstukken; Drama; Geschichte; Political plays, English; Politics and literature; Drama; Politischer Konflikt; Politik; Sozialer Konflikt
    Weitere Schlagworte: Fletcher, John <1579-1625>; Fletcher, John (1579-1625)
    Umfang: XIII, 338 S., Ill., Kt.
    Bemerkung(en):

    Zugl.: Oxford, Univ., Diss., 1991

  6. <<The>> politics of unease in the plays of John Fletcher
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst, Mass.

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870238922
    RVK Klassifikation: HI 2155
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Array; Array
    Umfang: XIII, 338 S., Ill., Kt.
    Bemerkung(en):

    Literaturverz. S. 313 - 332