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  1. From misa to mise en scène
    Fra Francesc Moner's prototype of the Spanish sacramental theater of the fifteenth century
    Autor*in: Cocozzella, Peter
    Erschienen: 2020
    Verlag:  Arizona Center for Medieval & Renaissance Studies, Tempe, Arizona

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and Full-Fledged Theatricality -- Stage-Worthy Action: Extrinsic and Intrinsic Dimensions -- Visualizing the Stage -- Configuring the Actual Stage: The Pragmatics of the Mise en Scène -- A Religious Theater Newly Fashioned: Semiotic Functions. As both layman and Franciscan friar, the Catalan writer known as Francesc Moner (ca 1463-1495) is one of the leading exponents of the bilingual (Catalan-Castilian) culture that flourished in Barcelona in the late 1400s. In his approach to Sepultura d'amor (Burial of Love), Moner's longest poem, Peter Cocozzella focuses on the author's ingenious version of a kind of parody that desacralizes but does not desecrate the celebration of the funeral Mass. Cocozzella discovers the aspects of Moner's unconventional idea of a theater based on the dramatics of the monologue and on the transformation of the divine ritual into a human analogue of transubstantiation. This allegorical pattern validates the profile of the masterpiece in question as one of the earliest manifestations of the auto sacramental, the distinctive theatrical genre scripted in the language of Castile. The book includes the text of Sepultura and its translation. -Publisher description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0866986405; 9780866986403
    Schriftenreihe: Medieval and Renaissance texts and studies ; volume 566
    Schlagworte: Catalan poetry; Religious satire, Catalan; Theater; Catalan poetry; Religious satire, Catalan; Theater; Criticism, interpretation, etc; History
    Weitere Schlagworte: Moner, Francisco (1463-1492): Sepultura d'amor
    Umfang: xlvi, 250 pages, illustrations, 23 cm
    Bemerkung(en):

    Includes bibliographical resources and index
  2. From misa to mise en scène
    Fra Francesc Moner's prototype of the Spanish sacramental theater of the fifteenth century
    Autor*in: Cocozzella, Peter
    Erschienen: 2020
    Verlag:  Arizona Center for Medieval & Renaissance Studies, Tempe, Arizona

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 118350
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and Full-Fledged Theatricality -- Stage-Worthy Action: Extrinsic and Intrinsic Dimensions -- Visualizing the Stage -- Configuring the Actual Stage: The Pragmatics of the Mise en Scène -- A Religious Theater Newly Fashioned: Semiotic Functions. As both layman and Franciscan friar, the Catalan writer known as Francesc Moner (ca 1463-1495) is one of the leading exponents of the bilingual (Catalan-Castilian) culture that flourished in Barcelona in the late 1400s. In his approach to Sepultura d'amor (Burial of Love), Moner's longest poem, Peter Cocozzella focuses on the author's ingenious version of a kind of parody that desacralizes but does not desecrate the celebration of the funeral Mass. Cocozzella discovers the aspects of Moner's unconventional idea of a theater based on the dramatics of the monologue and on the transformation of the divine ritual into a human analogue of transubstantiation. This allegorical pattern validates the profile of the masterpiece in question as one of the earliest manifestations of the auto sacramental, the distinctive theatrical genre scripted in the language of Castile. The book includes the text of Sepultura and its translation. -Publisher description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0866986405; 9780866986403
    Schriftenreihe: Medieval and Renaissance texts and studies ; volume 566
    Schlagworte: Catalan poetry; Religious satire, Catalan; Theater; Catalan poetry; Religious satire, Catalan; Theater; Criticism, interpretation, etc; History
    Weitere Schlagworte: Moner, Francisco (1463-1492): Sepultura d'amor
    Umfang: xlvi, 250 pages, illustrations, 23 cm
    Bemerkung(en):

    Includes bibliographical resources and index