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  1. Real folks
    race and genre in the Great Depression
    Erschienen: 2011
    Verlag:  Duke University Press, Durham, NC

    "A combination madhouse, burlesque show and Coney Island" : the color question in George Schuyler's Black no more -- "Inanimate hideosities" : the burlesque of racial capitalism in Nathanael West's A cool million -- "The last American frontier" :... mehr

     

    "A combination madhouse, burlesque show and Coney Island" : the color question in George Schuyler's Black no more -- "Inanimate hideosities" : the burlesque of racial capitalism in Nathanael West's A cool million -- "The last American frontier" : mapping the folk in the Federal Writers' Project's Florida : a guide to the southernmost state -- "Ah gives myself de privilege to go" : navigating the field and the folk in Zora Neale Hurston's Mules and men -- "Am I laughing"? : burlesque incongruities of genre, gender, and audience in Preston Sturges's Sullivan's travels -- Afterpiece : the Coen brothers' Ol'-timey blues in O brother, where art thou?

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822393894; 0822393891
    Weitere Identifier:
    RVK Klassifikation: LB 25000 ; LC 66610
    Schlagworte: American literature / History and criticism / 20th century; Literature and folklore / History / 20th century / United States; Folklore / History / 20th century / United States; American literature / African American authors / History and criticism; Literatur; Volkskultur <Motiv>; Depression <Wirtschaft>
    Umfang: 1 Online-Ressource (xiii, 322 Seiten), ill
    Bemerkung(en):

    Description based on print version record. - Includes bibliographical references and index