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  1. Posthumous images
    contemporary art and memory politics in post-civil war Lebanon
    Autor*in: Elias, Chad
    Erschienen: 2018
    Verlag:  Duke University Press, Durham ; London

    "For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in different ways, to interrogate the contested memory of those years of civil strife and political upheaval. In their films, photography, architectural projects, and multimedia performances, these artists appropriate existing images to challenge divisive and violent political discourses. They also create new images that make visible individuals and communities that have been effectively silenced, rendered invisible, or denied political representation. As Elias demonstrates, these practices serve to productively unsettle the distinctions between past and present, the dead and the living, official history and popular memory. In Lebanon, the field of contemporary art is shown to be critical to remembering the past and reimagining the future in a nation haunted by a violent and unresolved war"--Back cover

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780822347101; 0822347105; 9780822347668; 0822347660
    Schriftenreihe: Art history publication initiative
    Schlagworte: Nachkriegszeit; Bürgerkrieg <Motiv>; Denkmal; Dokumentarfilm; Politische Kunst
    Weitere Schlagworte: Zaʿatarī, Akram (1966-); Raad, Walid (1967-); Hadjithomas, Joana (1969-); Joreige, Khalil (1969-); Joreige, Lamia (1972-); Khoury, Bernard (1968-); Civil War (Lebanon : 1975-1990); Art / Political aspects / Lebanon; Lebanon / History / Civil War, 1975-1990 / Art and the war; War in art; Social conflict in mass media; Social conflict in art; Art / Political aspects; Social conflict in art; Social conflict in mass media; War in art; Lebanon; 20.30 history of art: general; 1975-1990; Art; History
    Umfang: xvi, 243 pages, illustrations, map, 24 cm
    Bemerkung(en):

    Introduction -- Captive subjects : on the geopolitics of sex and translation in Walid Raad's Hostage: the Bachar tapes -- Resistance, video martyrdom, and the afterlife of the Lebanese left -- Latent images, buried bodies : mourning Lebanon's disappeared -- Suspended spaces : the void and the monument in post-civil war Beirut -- Images of futures past : the Lebanese Rocket Society -- Coda: time bomb
  2. Posthumous images
    contemporary art and memory politics in post-civil war Lebanon
    Autor*in: Elias, Chad
    Erschienen: 2018
    Verlag:  Duke University Press, Durham ; London

    "For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in different ways, to interrogate the contested memory of those years of civil strife and political upheaval. In their films, photography, architectural projects, and multimedia performances, these artists appropriate existing images to challenge divisive and violent political discourses. They also create new images that make visible individuals and communities that have been effectively silenced, rendered invisible, or denied political representation. As Elias demonstrates, these practices serve to productively unsettle the distinctions between past and present, the dead and the living, official history and popular memory. In Lebanon, the field of contemporary art is shown to be critical to remembering the past and reimagining the future in a nation haunted by a violent and unresolved war"--Back cover

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780822347101; 0822347105; 9780822347668; 0822347660
    Schriftenreihe: Art history publication initiative
    Schlagworte: Nachkriegszeit; Bürgerkrieg <Motiv>; Denkmal; Dokumentarfilm; Politische Kunst
    Weitere Schlagworte: Zaʿatarī, Akram (1966-); Raad, Walid (1967-); Hadjithomas, Joana (1969-); Joreige, Khalil (1969-); Joreige, Lamia (1972-); Khoury, Bernard (1968-); Civil War (Lebanon : 1975-1990); Art / Political aspects / Lebanon; Lebanon / History / Civil War, 1975-1990 / Art and the war; War in art; Social conflict in mass media; Social conflict in art; Art / Political aspects; Social conflict in art; Social conflict in mass media; War in art; Lebanon; 20.30 history of art: general; 1975-1990; Art; History
    Umfang: xvi, 243 pages, illustrations, map, 24 cm
    Bemerkung(en):

    Introduction -- Captive subjects : on the geopolitics of sex and translation in Walid Raad's Hostage: the Bachar tapes -- Resistance, video martyrdom, and the afterlife of the Lebanese left -- Latent images, buried bodies : mourning Lebanon's disappeared -- Suspended spaces : the void and the monument in post-civil war Beirut -- Images of futures past : the Lebanese Rocket Society -- Coda: time bomb