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  1. Music hall & modernity
    the late-Victorian discovery of popular culture
    Autor*in: Faulk, Barry J.
    Erschienen: c2004
    Verlag:  Ohio University Press, Athens

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0821441396
    RVK Klassifikation: HL 1225
    Schlagworte: Geschichte; English literature; Music-halls (Variety-theaters, cabarets, etc.) in literature; Music-halls (Variety-theaters, cabarets, etc.); English literature; Performing arts; Popular culture; Performing arts in literature; Popular culture in literature; Englisch; Music hall <Motiv>; Literatur
    Umfang: xii, 244 p.
    Bemerkung(en):

    Includes bibliographical references (p. 229-236) and index

    Introduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra
  2. Music hall & modernity
    the late-Victorian discovery of popular culture
    Autor*in: Faulk, Barry J.
    Erschienen: c2004
    Verlag:  Ohio University Press, Athens

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0821415859; 0821441396; 9780821415856; 9780821441398
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; Intellectual life; Literature; Music-halls (Variety-theaters, cabarets, etc.); Music-halls (Variety-theaters, cabarets, etc.) in literature; Performing arts; Performing arts in literature; Popular culture; Popular culture in literature; Music-halls; Variété; Populaire cultuur; Modernisme (cultuur); Geschichte; Literatur; English literature; Music-halls (Variety-theaters, cabarets, etc.) in literature; Music-halls (Variety-theaters, cabarets, etc.); English literature; Performing arts; Popular culture; Performing arts in literature; Popular culture in literature; Music hall <Motiv>; Literatur; Englisch
    Umfang: 1 Online-Ressource (xii, 244 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 229-236) and index

    Introduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra

    The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people." In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm
  3. Music hall & modernity
    the late-Victorian discovery of popular culture
    Erschienen: 2010
    Verlag:  Ohio University Press, Athens

    The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people." In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780821441398; 0821441396
    Schlagworte: English literature; Music-halls (Variety-theaters, cabarets, etc.); English literature; Performing arts; Popular culture; Music-halls (Variety-theaters, cabarets, etc.) in literature; Performing arts in literature; Popular culture in literature; Performing arts; Popular culture; Music-halls (Variety-theaters, cabarets, etc.); English literature; English literature; Electronic books; English literature; English literature; Music-halls (Variety-theaters, cabarets, etc.); Performing arts; Popular culture; Music-halls (Variety-theaters, cabarets, etc.) in literature; Performing arts in literature; Popular culture in literature; English literature; Intellectual life; Literature; Music-halls (Variety-theaters, cabarets, etc.); Performing arts; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Popular culture; HISTORY ; General; Music-halls; Variété; Populaire cultuur; Modernisme (cultuur); Criticism, interpretation, etc; History
    Umfang: Online Ressource (xii, 244 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. 229-236) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  4. Music hall & modernity
    the late-Victorian discovery of popular culture
    Autor*in: Faulk, Barry J.
    Erschienen: 2004
    Verlag:  Ohio University Press, Athens ; EBSCO Industries, Inc., Birmingham, AL, USA

    The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people." In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm,...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780821441398; 0821441396
    Umfang: 1 Online-Ressource (xii, 244 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 229-236) and index