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  1. The illustrated slave
    empathy, graphic narrative, and the visual culture of the transatlantic abolition movement, 1800-1852
    Autor*in: Cutter, Martha J.
    Erschienen: 2017
    Verlag:  The University of Georgia Press, Athens, Georgia

    " ... Analyzes ... works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement"-- Visualizing slavery and slave torture -- Precursors: picturing the story of slavery in... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    " ... Analyzes ... works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement"-- Visualizing slavery and slave torture -- Precursors: picturing the story of slavery in broadsides, pamphlets, and early illustrated graphic works about slavery, 1793-1812 -- "These loathsome pictures shall be published": reconfigurations of the optical regime of transatlantic slavery in Amelia Opie's The black man's lament (1826) and George Bourne's Picture of slavery in the United States of America (1834) -- Entering and exiting the sensorium of slave torture: a narrative of the adventures and escape of Moses Roper, from American slavery (1837, 1838) and the visual culture of the slave's body in the transatlantic abolition movement -- Structuring a new abolitionist reading of masculinity and femininity: the graphic narrative systems of Lydia Maria Child's Joanna (1838) and Henry Bibb's Narrative of the life and adventures of Henry Bibb, an American slave, written by himself (1849) -- After Tom: illustrated books, panoramas, and the staging of the African American enslaved body in Uncle Tom's cabin (1852) and the performance work of Henry Box Brown (1849-1875) -- The end of empathy, or slavery revisited via twentieth- and twenty-first-century artworks -- Hierarchical and parallel empathy

     
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