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  1. On endings
    American postmodern fiction and the Cold War
    Autor*in: Grausam, Daniel
    Erschienen: 2011
    Verlag:  University of Virginia Press, Charlottesville

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813931614; 0813931622; 0813931665; 9780813931616; 9780813931623; 9780813931661
    Schlagworte: LITERARY CRITICISM / American / General; American fiction; Postmodernism (Literature); Cold War; Cold War in literature; Roman; Ost-West-Konflikt; Postmoderne
    Weitere Schlagworte: Barth, John / 1930- / Criticism and interpretation / Criticism and interpretation / Criticism and interpretation; Pynchon, Thomas / Criticism and interpretation / Criticism and interpretation / Criticism and interpretation; Powers, Richard / 1957- / Criticism and interpretation / Criticism and interpretation / Criticism and interpretation; Barth, John (1930-); Pynchon, Thomas; Powers, Richard (1957-)
    Umfang: 1 Online-Ressource (viii, 196 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [179]-189) and index

    Introduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons

    What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War

  2. On endings
    American postmodern fiction and the Cold War
    Erschienen: 2011
    Verlag:  University of Virginia Press, Charlottesville

    What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a... mehr

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    What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War

     

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