Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 6 von 6.

  1. The visual object of desire in late medieval England
    Autor*in: Stanbury, Sarah
    Erschienen: 2008
    Verlag:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Introduction: Premodern fetishes -- Fetish, idol, icon. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk ymage" -- The despenser retable and 1381 -- Chaucer's sacramental poetic. Chaucer and images -- Translating Griselda -- The... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Premodern fetishes -- Fetish, idol, icon. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk ymage" -- The despenser retable and 1381 -- Chaucer's sacramental poetic. Chaucer and images -- Translating Griselda -- The Clergeon's tongue -- Moving pictures. Nicholas Love's Mirror: dead images and the life of Christ -- Arts of self-patronage in The book of Margaret Kempe

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0812240383; 9780812240382
    RVK Klassifikation: LO 50050 ; HH 4061
    Schriftenreihe: The Middle Ages series
    Schlagworte: English literature; Iconoclasm in literature; Idols and images in literature; Christian art and symbolism in literature; Iconoclasm; Christian art and symbolism; Art and literature; Civilization, Medieval, in literature
    Umfang: 290 S., zahlr. Ill.
    Bemerkung(en):

    Includes bibliographical references (S. [259] - 278) and index

    Introduction: Premodern fetishes -- Fetish, idol, icon. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk ymage" -- The despenser retable and 1381 -- Chaucer's sacramental poetic. Chaucer and images -- Translating Griselda -- The Clergeon's tongue -- Moving pictures. Nicholas Love's Mirror: dead images and the life of Christ -- Arts of self-patronage in The book of Margaret Kempe
  2. <<The>> visual object of desire in late medieval England
    Autor*in: Stanbury, Sarah
    Erschienen: 2008
    Verlag:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. The visual object of desire in late medieval England
    Autor*in: Stanbury, Sarah
    Erschienen: 2008
    Verlag:  Univ. of Pennsylvania Press, Philadelphia

    "Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches." "In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture - though these writers by no means agree on the ethics of those demands. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly-made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life."--BOOK JACKET.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  4. The visual object of desire in late medieval England
    Autor*in: Stanbury, Sarah
    Erschienen: 2008
    Verlag:  University of Pennsylvania Press, Philadelphia, Pa.

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signatur:
    03/LO 50050 S784
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780812240382; 0812240383
    RVK Klassifikation: LO 50050
    Schriftenreihe: The Middle Ages series
    Schlagworte: Begierde <Motiv>; Kunst; Sehnsucht <Motiv>; Literatur; Mittelenglisch
    Umfang: 290 S., Ill.
  5. The visual object of desire in late medieval England
    Autor*in: Stanbury, Sarah
    Erschienen: 2008
    Verlag:  Univ. of Pennsylvania Press, Philadelphia

    "Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches." "In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture - though these writers by no means agree on the ethics of those demands. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly-made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life."--BOOK JACKET.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  6. The visual object of desire in late medieval England
    Autor*in: Stanbury, Sarah
    Erschienen: 2008
    Verlag:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Introduction: Premodern fetishes -- Fetish, idol, icon. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk ymage" -- The despenser retable and 1381 -- Chaucer's sacramental poetic. Chaucer and images -- Translating Griselda -- The... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2008:1352:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 689210
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2009/7994
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2008 A 5491
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2008 C 678
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Signatur:
    8 Ki ENG 060/18
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    58/12351
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    58.834
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Premodern fetishes -- Fetish, idol, icon. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk ymage" -- The despenser retable and 1381 -- Chaucer's sacramental poetic. Chaucer and images -- Translating Griselda -- The Clergeon's tongue -- Moving pictures. Nicholas Love's Mirror: dead images and the life of Christ -- Arts of self-patronage in The book of Margaret Kempe

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0812240383; 9780812240382
    RVK Klassifikation: LO 50050 ; HH 4061
    Schriftenreihe: The Middle Ages series
    Schlagworte: English literature; Iconoclasm in literature; Idols and images in literature; Christian art and symbolism in literature; Iconoclasm; Christian art and symbolism; Art and literature; Civilization, Medieval, in literature
    Umfang: 290 S., zahlr. Ill.
    Bemerkung(en):

    Includes bibliographical references (S. [259] - 278) and index

    Introduction: Premodern fetishes -- Fetish, idol, icon. Knighton's Lollards, Capgrave's Katherine, and Walter Hilton's "Merk ymage" -- The despenser retable and 1381 -- Chaucer's sacramental poetic. Chaucer and images -- Translating Griselda -- The Clergeon's tongue -- Moving pictures. Nicholas Love's Mirror: dead images and the life of Christ -- Arts of self-patronage in The book of Margaret Kempe