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  1. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Cristina
    Erschienen: 2003
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas --... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0802087892; 0802085865
    RVK Klassifikation: IT 1500 ; IV 25481
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Eco, Umberto;
    Weitere Schlagworte: Eco, Umberto
    Umfang: XIV, 246 S, graph. Darst
  2. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Cristina
    Erschienen: 2003
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas --... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 528456
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0802087892; 0802085865
    RVK Klassifikation: IT 1500 ; IV 25481
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Eco, Umberto;
    Weitere Schlagworte: Eco, Umberto
    Umfang: XIV, 246 S, graph. Darst
  3. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Cristina
    Erschienen: [2003]
    Verlag:  University of Toronto Press, Toronto

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 528456
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Romanisches Seminar der Universität, Bibliothek
    Signatur:
    RO/IV 25481 F246
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780802087898; 9780802085863; 0802087892; 0802085865
    RVK Klassifikation: IV 25481 ; IT 1500
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Letterkunde; Italiaans; Filosofische aspecten
    Weitere Schlagworte: Eco, Umberto; Eco, Umberto; Eco, Umberto; Eco, Umberto
    Umfang: xiv, 246 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 229-239
  4. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Cristina
    Erschienen: [2003]
    Verlag:  University of Toronto Press, Toronto

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780802087898; 9780802085863; 0802087892; 0802085865
    RVK Klassifikation: IV 25481 ; IT 1500
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Letterkunde; Italiaans; Filosofische aspecten
    Weitere Schlagworte: Eco, Umberto; Eco, Umberto; Eco, Umberto; Eco, Umberto
    Umfang: xiv, 246 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 229-239
  5. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Christina
    Erschienen: 2003
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C. S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--BOOK JACKET.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0802085865; 0802087892
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Filosofische aspecten; Italiaans; Letterkunde; Italienisch; Literatur; Philosophie
    Weitere Schlagworte: Eco, Umberto - Critique et interprétation; Eco, Umberto; Eco, Umberto (1932-2016)
    Umfang: XIV, 246 S., Ill., graph. darst.
  6. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Cristina
    Erschienen: 2003
    Verlag:  University of Toronto Press, Toronto, Ont. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674257; 1442674253; 1281994561; 9781281994561; 9780802085863; 0802085865
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Weitere Schlagworte: Eco, Umberto (1932-2016)
    Umfang: 1 Online-Ressource (xiv, 246 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 229-239) and index
  7. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Cristina
    Erschienen: 2003
    Verlag:  Univ. Toronto Press, Toronto [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    13.302.34
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Gießen, Fachbibliothek Romanistik
    Signatur:
    I 19 ECO e 2003
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signatur:
    25 Ita UE 5012
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0802085865; 0802087892
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Weitere Schlagworte: Eco, Umberto (1932-2016)
    Umfang: XIV, 246 S., graph. Darst.
  8. Eco's chaosmos
    from the Middle Ages to postmodernity
    Autor*in: Farronato, Christina
    Erschienen: 2003
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C. S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--BOOK JACKET.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0802085865; 0802087892
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Filosofische aspecten; Italiaans; Letterkunde; Italienisch; Literatur; Philosophie
    Weitere Schlagworte: Eco, Umberto - Critique et interprétation; Eco, Umberto; Eco, Umberto (1932-2016)
    Umfang: XIV, 246 S., Ill., graph. darst.