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  1. Barbarous dissonance and images of voice in Milton's epics
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773514287; 0773566147; 9780773514287; 9780773566149
    Schlagworte: Narration; POETRY / English, Irish, Scottish, Welsh; Paradise regained; Paradise lost; Stimme <Motiv>; Rhetorik; Erzähler; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Paradise lost (Milton, John); Paradise regained (Milton, John); Narration (Rhetoric); Narration (Rhetoric); Erzähltechnik
    Weitere Schlagworte: Milton, John / 1608-1674; Milton, John / 1608-1674 / Paradise lost; Milton, John / 1608-1674 / Paradise regained; Milton, John; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained
    Umfang: 1 Online-Ressource (x, 213 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach

    By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours

  2. Barbarous dissonance and images of voice in Milton's epics
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal [Que.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773566149; 0773566147
    RVK Klassifikation: HK 2575
    Schlagworte: Erzähler; Stimme <Motiv>; Rhetorik
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained
    Umfang: 1 Online-Ressource (x, 213 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  3. Barbarous dissonance and images of voice in Milton's epics
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773566149; 0773566147
    Schlagworte: Narration; Narration (Rhetoric); Narration (Rhetoric); Electronic books; POETRY ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Narration (Rhetoric); Stimme; Rhetorik; Erzähler
    Weitere Schlagworte: Milton, John 1608-1674; Milton, John 1608-1674; Milton, John 1608-1674; Milton, John 1608-1674; Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained; Milton, John 1608-1674; Milton, John
    Umfang: Online Ressource (x, 213 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

    1. The Voices and Politics of Nimrod2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained.