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  1. Barbarous dissonance and images of voice in Milton's Epics
    Autor*in: Sauer, Elizabeth
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0773514287
    RVK Klassifikation: HK 2575
    Schlagworte: Politics and literature; Literature and history; Narration (Rhetoric); Epic poetry, English; Point of view (Literature)
    Weitere Schlagworte: Milton, John; Milton, John
    Umfang: X, 213 S
    Bemerkung(en):

    Includes bibliographical references (p. [191]-207) and index
  2. Barbarous dissonance and images of voice in Milton's epics
    Autor*in: Sauer, Elizabeth
    Erschienen: 1996
    Verlag:  McGill-Queen's Univ. Press, Montreal [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    12.834.80
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Signatur:
    001 HK 2575 S255
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0773514287
    RVK Klassifikation: HK 2575
    Schlagworte: Erzähler; Stimme <Motiv>; Rhetorik
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained
    Umfang: X, 213 S.
  3. Barbarous dissonance and images of voice in Milton's epics
    Autor*in: Sauer, Elizabeth
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773514287; 0773566147; 9780773514287; 9780773566149
    Schlagworte: Narration; POETRY / English, Irish, Scottish, Welsh; Paradise regained; Paradise lost; Stimme <Motiv>; Rhetorik; Erzähler; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Paradise lost (Milton, John); Paradise regained (Milton, John); Narration (Rhetoric); Narration (Rhetoric); Erzähltechnik
    Weitere Schlagworte: Milton, John / 1608-1674; Milton, John / 1608-1674 / Paradise lost; Milton, John / 1608-1674 / Paradise regained; Milton, John; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained
    Umfang: 1 Online-Ressource (x, 213 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach

    By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours
  4. Barbarous dissonance and images of voice in Milton's epics
    Autor*in: Sauer, Elizabeth
    Erschienen: c1996
    Verlag:  McGill-Queen's University Press, Montreal

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773514287
    Schlagworte: Narration (Rhetoric); Erzähltechnik
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674); Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674): Paradise lost
    Umfang: x, 213 p
    Bemerkung(en):

    Includes bibliographical references and index
  5. Barbarous dissonance and images of voice in Milton's Epics
    Autor*in: Sauer, Elizabeth
    Erschienen: 1996
    Verlag:  McGill-Queen's University Press, Montreal [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 335772
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 96/12443
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    97 A 1451
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0773514287
    RVK Klassifikation: HK 2575
    Schlagworte: Politics and literature; Literature and history; Narration (Rhetoric); Epic poetry, English; Point of view (Literature)
    Weitere Schlagworte: Milton, John; Milton, John
    Umfang: X, 213 S
    Bemerkung(en):

    Includes bibliographical references (p. [191]-207) and index
  6. Barbarous dissonance and images of voice in Milton's epics
    Autor*in: Sauer, Elizabeth
    Erschienen: ©1996
    Verlag:  McGill-Queen's University Press, Montreal ; Buffalo

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0773514287
    RVK Klassifikation: HK 2575
    Schlagworte: Narration; Geschichte; Epic poetry, English; Literature and history; Narration (Rhetoric); Point of view (Literature); Politics and literature; Erzähltechnik
    Weitere Schlagworte: Milton, John <1608-1674> / Paradise lost; Milton, John <1608-1674> / Paradise regained; Milton, John <1608-1674>: Paradise lost; Milton, John <1608-1674>: Paradise regained; Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674): Paradise lost
    Umfang: X, 213 Seiten, 24 cm
    Bemerkung(en):

    Contents: 1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained. - Includes bibliographical references (p. [191]-207) and inde

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours