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  1. Our Nazis
    representations of fascism in contemporary literature and film
    Verlag:  Edinburgh University Press, Edinburgh

    Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context this study offers an analysis of contemporary popular and literary fiction,... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context this study offers an analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces engagement with actual violent history

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748668656; 0748668659; 1299710956; 9781299710955
    Schriftenreihe: Edinburgh critical studies in war and culture
    Schlagworte: National socialism in literature; National socialism in motion pictures; Nazis in motion pictures; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; LITERARY CRITICISM ; European ; German; National socialism in literature; National socialism in motion pictures; Nazis in motion pictures
    Umfang: Online Ressource (vii, 214 pages), illustrations.
    Bemerkung(en):

    Includes bibliographical references (pages 195-210) and index. - Print version record
  2. Our Nazis
    representations of fascism in contemporary literature and film
    Autor*in: Rau, Petra
    Erschienen: [2013]; © 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748668656; 0748668659; 1299710956; 9781299710955; 9780748668649; 0748668640
    Schriftenreihe: Edinburgh critical studies in war and culture
    Schlagworte: BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / European / German; National socialism in literature; National socialism in motion pictures; Nazis in motion pictures; Array; Film; Nationalsozialismus <Motiv>; Englisch; Literatur
    Umfang: 1 online resource (vii, 214 pages), illustrations
    Bemerkung(en):

    Print version record

    Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context this study offers an analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces engagement with actual violent history

    Title Page; Copyright; Contents; Acknowledgements; Sources of Illustrations; Series Editors' Preface; Introduction: 'Having Your Nazi Cake and Eating it'; 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr; 2 The Fascist Corpus in the Age of Holocaust Remembrance; 3 'Fascism' as Excess and Abjection: Jonathan Littell's The Kindly Ones; 4 The Good German: The Stauffenberg Plot and its Discontents; 5 'Operation Kino': Quentin Tarantino's Inglourious Basterds as Meta-cinematic Farce; Coda; Bibliography; Index