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  1. Masculinity and Italian cinema
    sexual politics, social conflict and male crisis in the 1970s
    Erschienen: c 2014
    Verlag:  Edinburgh Univ. Press, Edinburgh

    "Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a... mehr

    Universitätsbibliothek Freiburg
    GE 2014/6128
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    UB Weimar
    268 326
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality."--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0748654542; 9780748654543
    Weitere Identifier:
    9780748654543
    RVK Klassifikation: AP 50300 ; AP 44939
    Schlagworte: Motion pictures, Italian; Motion pictures; Motion pictures; Masculinity in motion pictures; Motion pictures; Men in motion pictures; Men; Nineteen seventies
    Umfang: X, 165 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    IntroductionMale crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo.