Verlag:
Harvard University Asia Center, Cambridge, Massachusetts
"Examines how the "beautiful woman" (bijin) emerged as a symbol of Japanese culture during the Meiji period and the contributions of writers, artists, scholars, critics, journalists, and politicians to the discussion of the bijin and to the...
mehr
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
"Examines how the "beautiful woman" (bijin) emerged as a symbol of Japanese culture during the Meiji period and the contributions of writers, artists, scholars, critics, journalists, and politicians to the discussion of the bijin and to the production of a national discourse on standards of Japanese beauty and art"-- Introduction: On first becoming a painting -- All too aesthetically: the bijin in the era of Japonisme -- "Fair Japan": art, war and the bijin at the Saint Louis World's Fair, 1904 -- True bijin: the debate on truth and beauty -- Bijin graphic: illustrated magazines and the popular ideology of beauty -- "Short-lived beauty": illustration and the bijin heroines of literary realism -- Living works of art: Soseki's aesthetic heroines -- Bijinga: the Nihonga genre and the fashioning of material beauty -- Coda
Based on the author's thesis (Ph. D.--Yale University, 2001) issued under the title: Figures of beauty : aesthetics and the beautiful woman in Meiji Japan
Verlag:
Harvard University Asia Center, Cambridge, Massachusetts
"Examines how the "beautiful woman" (bijin) emerged as a symbol of Japanese culture during the Meiji period and the contributions of writers, artists, scholars, critics, journalists, and politicians to the discussion of the bijin and to the...
mehr
Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
Signatur:
N72.S6 M59 2019
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
"Examines how the "beautiful woman" (bijin) emerged as a symbol of Japanese culture during the Meiji period and the contributions of writers, artists, scholars, critics, journalists, and politicians to the discussion of the bijin and to the production of a national discourse on standards of Japanese beauty and art"-- Introduction: On first becoming a painting -- All too aesthetically: the bijin in the era of Japonisme -- "Fair Japan": art, war and the bijin at the Saint Louis World's Fair, 1904 -- True bijin: the debate on truth and beauty -- Bijin graphic: illustrated magazines and the popular ideology of beauty -- "Short-lived beauty": illustration and the bijin heroines of literary realism -- Living works of art: Soseki's aesthetic heroines -- Bijinga: the Nihonga genre and the fashioning of material beauty -- Coda
Based on the author's thesis (Ph. D.--Yale University, 2001) issued under the title: Figures of beauty : aesthetics and the beautiful woman in Meiji Japan