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  1. Conceived presences
    literary genealogy in Renaissance England
    Autor*in: Falco, Raphael
    Erschienen: c1994
    Verlag:  University of Massachusetts Press, Amherst, Mass

    The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a... mehr

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a thorough knowledge of the most recent Renaissance criticism, both historicist and linguistic. His book reveals a promising synthesis of critical approaches, a New Humanism in which theoretical perspectives and philological research combine to shed light on the aesthetic ambitions of English Renaissance poets This study explores the manner in which English Renaissance poets invented a poetic genealogy. The title comes from Franciscus Junius, who in 1638 used the term "conceived presence" to describe the ancient masters whose paintings had been lost but who nonetheless remained important forebears of the tradition of visual art. Raphael Falco applies the notion of "conceived presences" to late sixteenth-century poets intent on establishing a national literature. They too conceived the presence of their forebears, both ancient and modern. As Falco demonstrates, Elizabethan and Jacobean poets saw Philip Sidney as their most important modern precursor and placed him at the root of their family tree

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585200815; 9780585200811
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Authority in literature; Renaissance; English poetry; Influence (Literary, artistic, etc.); Nationalism and literature; Nationalism and literature
    Umfang: Online-Ressource (xii, 235 p)
    Bemerkung(en):

    Includes bibliographical references (p. 211-221) and index

    Instant artifacts: vernacular elegies for Philip SidneyRhymes to please the dead: Spenser's "Astrophel" -- "A fire now, that lent a shade": Ben Jonson's conversion of the Sidney Legacy and his crowning of Shakespeare -- Repudiated trees: genealogy and election in John Milton.
  2. Conceived presences
    literary genealogy in Renaissance England
    Erschienen: 2011
    Verlag:  University of Massachusetts Press, Amherst, Mass

    The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a... mehr

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a thorough knowledge of the most recent Renaissance criticism, both historicist and linguistic. His book reveals a promising synthesis of critical approaches, a New Humanism in which theoretical perspectives and philological research combine to shed light on the aesthetic ambitions of English Renaissance poets This study explores the manner in which English Renaissance poets invented a poetic genealogy. The title comes from Franciscus Junius, who in 1638 used the term "conceived presence" to describe the ancient masters whose paintings had been lost but who nonetheless remained important forebears of the tradition of visual art. Raphael Falco applies the notion of "conceived presences" to late sixteenth-century poets intent on establishing a national literature. They too conceived the presence of their forebears, both ancient and modern. As Falco demonstrates, Elizabethan and Jacobean poets saw Philip Sidney as their most important modern precursor and placed him at the root of their family tree. - The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a thorough knowledge of the most recent Renaissance criticism, both historicist and linguistic. His book reveals a promising synthesis of critical approaches, a New Humanism in which theoretical perspectives and philological research combine to shed light on the aesthetic ambitions of English Renaissance poets

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585200815; 9780585200811
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: English poetry; Nationalism and literature; Nationalism and literature; Influence (Literary, artistic, etc.); Authority in literature; Renaissance; Authority in literature; English poetry; Influence (Literary, artistic, etc.); Nationalism and literature; Nationalism and literature; Renaissance
    Umfang: Online Ressource (xii, 235 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 211-221) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  3. Conceived presences
    literary genealogy in Renaissance England
    Autor*in: Falco, Raphael
    Erschienen: ©1994
    Verlag:  University of Massachusetts Press, Amherst, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585200815; 087023935X; 9780585200811; 9780870239359
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: LITERARY CRITICISM / Shakespeare; Genealogie <Motiv>; Literatur; Renaissance; Authority in literature; English poetry / Early modern; Influence (Literary, artistic, etc.); Nationalism and literature; Renaissance; Geschichte; English poetry; Nationalism and literature; Nationalism and literature; Influence (Literary, artistic, etc.); Authority in literature; Renaissance; Nationalismus; Renaissance; Autorität; Genealogie <Motiv>; Englisch; Nationalliteratur; Kulturelle Identität; Nationalbewusstsein; Lyrik; Einfluss; Literaturtheorie; Literatur
    Umfang: 1 Online-Ressource (xii, 235 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 211-221) and index

    This study explores the manner in which English Renaissance poets invented a poetic genealogy. The title comes from Franciscus Junius, who in 1638 used the term "conceived presence" to describe the ancient masters whose paintings had been lost but who nonetheless remained important forebears of the tradition of visual art. Raphael Falco applies the notion of "conceived presences" to late sixteenth-century poets intent on establishing a national literature. They too conceived the presence of their forebears, both ancient and modern. As Falco demonstrates, Elizabethan and Jacobean poets saw Philip Sidney as their most important modern precursor and placed him at the root of their family tree

    The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a thorough knowledge of the most recent Renaissance criticism, both historicist and linguistic. His book reveals a promising synthesis of critical approaches, a New Humanism in which theoretical perspectives and philological research combine to shed light on the aesthetic ambitions of English Renaissance poets

    Instant artifacts: vernacular elegies for Philip Sidney -- Rhymes to please the dead: Spenser's "Astrophel" -- "A fire now, that lent a shade": Ben Jonson's conversion of the Sidney Legacy and his crowning of Shakespeare -- Repudiated trees: genealogy and election in John Milton
  4. Conceived presences
    literary genealogy in Renaissance England
    Autor*in: Falco, Raphael
    Erschienen: 1994
    Verlag:  University of Massachusetts Press, Amherst, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    This study explores the manner in which English Renaissance poets invented a poetic genealogy. The title comes from Franciscus Junius, who in 1638 used the term "conceived presence" to describe the ancient masters whose paintings had been lost but... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This study explores the manner in which English Renaissance poets invented a poetic genealogy. The title comes from Franciscus Junius, who in 1638 used the term "conceived presence" to describe the ancient masters whose paintings had been lost but who nonetheless remained important forebears of the tradition of visual art. Raphael Falco applies the notion of "conceived presences" to late sixteenth-century poets intent on establishing a national literature. They too conceived the presence of their forebears, both ancient and modern. As Falco demonstrates, Elizabethan and Jacobean poets saw Philip Sidney as their most important modern precursor and placed him at the root of their family tree. The book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a thorough knowledge of the most recent Renaissance criticism, both historicist and linguistic. His book reveals a promising synthesis of critical approaches, a New Humanism in which theoretical perspectives and philological research combine to shed light on the aesthetic ambitions of English Renaissance poets.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585200815; 9780585200811
    RVK Klassifikation: HI 1249
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Englisch; Literatur; Renaissance; Genealogie <Motiv>
    Umfang: 1 Online-Ressource (xii, 235 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 211-221) and index