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  1. Syncopations
    Beats, New Yorkers, and writers in the dark
    Autor*in: Campbell, James
    Erschienen: 2008
    Verlag:  University of California Press, Berkeley

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. Syncopations
    Beats, New Yorkers, and writers in the dark
    Autor*in: Campbell, James
    Erschienen: 2008
    Verlag:  University of California Press, Berkeley

    11. The Man Who Cried: John A. Williams12. All That Jive: Stanley Crouch; 13. Love Lost: Toni Morrison; 14. The Rhetoric of Rage: A Profile of Amiri Baraka; PART III: SYNCOPATIONS; 15. High Peak Haikus: A Profile of Gary Snyder; 16. Between Moving... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    11. The Man Who Cried: John A. Williams12. All That Jive: Stanley Crouch; 13. Love Lost: Toni Morrison; 14. The Rhetoric of Rage: A Profile of Amiri Baraka; PART III: SYNCOPATIONS; 15. High Peak Haikus: A Profile of Gary Snyder; 16. Between Moving Air and Moving Ocean: Thom Gunn and Gary Snyder; 17. Was That a Real Poem?: Robert Creeley; 18. Fifty Years of "Howl"; 19. Personal/Political: A Profile of Edmund White; 20. To Beat the Bible: A Profile of J.P. Donleavy; 21. The Making of a Monster: Alexander Trocchi; 22. Travels with RLS; Coda: Boswell and Mrs. Miller; A Memoir of Two Tongues. Cover; Title; Copyright; Contents; Preface; Acknowledgments; PART I: NEW YORK NEW YORKERS; 1. Sunshine and Shadows: A Profile of John Updike; 2. Updike's Village Sex; 3. William Maxwell's Lives; 4. Notes from a Small Island: A Profile of Shirley Hazzard; 5. Love, Truman: Capote's Letters and Stories; 6. Franzen, Oprah, and High Art; 7. Drawing Pains: A Profile of Art Spiegelman; 8. Listening in the Dark: A Profile of William Styron; PART II: THROUGH THE GRAPEVINE; 9. I Heard It through the Grapevine: James Baldwin and the FBI; 10. The Island Affair: Richard Wright's Unpublished Last Novel. This compulsively readable collection of profiles and essays by James Campbell, tied together by a beguiling autobiographical thread, proffers unique observations on writers and writing in the post-1950s period. Campbell considers writers associated with the New Yorker magazine, including John Updike, William Maxwell, Truman Capote, and Jonathan Franzen. Continuing his longterm engagement with African American authors, he offers an account of his legal battle with the FBI over James Baldwin's file and a new profile of Amiri Baraka. He also focuses on the Beat poets Gary Snyder and Allen Ginsbe

     
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