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  1. Parameters of disavowal
    colonial representation in South Korean cinema
    Autor*in: An, Jinsoo
    Erschienen: [2018]
    Verlag:  University of California Press, Oakland, CA

    At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century (1910-1945) decidedly shaped the culture and identity of Korea, yet the precise manner as to how South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge-production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It also advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent.0In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema Under the banner of nationalism : the changing imagery of anti-colonial leadership -- Reckoning and cooperation : film and the Waesaek ("Japanese color") controversies of the 1960s -- The Manchurian action film : a new anti-colonial imaginary in the Cold War context -- In the colonial zone of contact : Kisaeng and gangster films -- Horror and revenge : return of the repressed colonial violence -- Coda : after 2000

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520295307; 9780520295308
    Schlagworte: Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures
    Umfang: ix, 189 Seiten, Illustrationen
  2. Parameters of disavowal
    colonial representation in South Korean cinema
    Autor*in: An, Jinsoo
    Erschienen: [2018]
    Verlag:  University of California Press, Oakland, CA

    At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 60028
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    7: 791.43095195-AN
    Fernleihe:
    keine Fernleihe

    Standort:
    Asien-Orient-Institut, Abteilung für Koreanistik und Abteilung für Sinologie, Bibliothek
    Signatur:
    PN1993.5.K6 2017/2
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century (1910-1945) decidedly shaped the culture and identity of Korea, yet the precise manner as to how South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge-production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It also advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent.0In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema Under the banner of nationalism : the changing imagery of anti-colonial leadership -- Reckoning and cooperation : film and the Waesaek ("Japanese color") controversies of the 1960s -- The Manchurian action film : a new anti-colonial imaginary in the Cold War context -- In the colonial zone of contact : Kisaeng and gangster films -- Horror and revenge : return of the repressed colonial violence -- Coda : after 2000

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520295307; 9780520295308
    Schlagworte: Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures
    Umfang: ix, 189 Seiten, Illustrationen