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  1. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: ©1996
    Verlag:  University of California Press, Berkeley

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520917323; 0520917324; 0585129223; 9780585129228; 0520203755; 0520203763
    Schlagworte: ART / History / General; Geschichte; Geschichte <Motiv>; Malerei; Historienmalerei; Demokratische Republik Kongo <Motiv>
    Weitere Schlagworte: Tshibumba Kanda Matulu; Tshibumba Kanda Matulu; Tshibumba Kanda Matulu; Tshibumba Kanda Matulu (ca. 20.Jh.)
    Umfang: 1 Online-Ressource (xv, 348 pages, [16] pages of plates)
    Bemerkung(en):

    Includes bibliographical references (pages 329-335) and indexes

    pt. 1. The history of Zaire as painted and told by Tshibumba Kanda Matulu -- pt. 2. All was lost : ethnographic essays on Tshibumba's History of Zaire
  2. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: 1996
    Verlag:  Univ. of California Press, Berkeley [u.a.]

    Standort:
    Universität Gießen, Fachbibliothek Geschichts- und Kulturwissenschaften / Bibliothek im Historischen Institut
    Signatur:
    Bf 22
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Bereichsbibliothek Rechts- und Wirtschaftswissenschaften / Ethnologie und Afrikastudien
    Signatur:
    Af 7 972
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520203755; 0520203763
    RVK Klassifikation: LI 99999
    Auflage/Ausgabe: 1. [Dr.]
    Schlagworte: Malerei; Historienmalerei; Geschichte <Motiv>
    Weitere Schlagworte: Tshibumba Kanda Matulu (20.Jh.)
    Umfang: XV, 348 S., zahlr. Ill., Kt.
    Bemerkung(en):

    Literaturverz. S. 329 - 335
  3. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: 1996
    Verlag:  Univ. of Calif. Press, Berkeley [u.a.]

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history,... mehr

    Standort:
    Institut für Afrikanistik und Ägyptologie, Abteilung Afrikanistik, Bibliothek
    Signatur:
    419/CD/193
    Fernleihe:
    keine Fernleihe

     

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition. During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.

     
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  4. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: 1996
    Verlag:  Univ. of Calif. Press, Berkeley [u.a.]

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition. During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: 2007
    Verlag:  Univ. of California Press, Berkeley [u.a.]

    Standort:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signatur:
    25 Ges XU 3005
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520203755; 0520203763; 9780520203761
    RVK Klassifikation: LI 99999
    Auflage/Ausgabe: 2. [Dr.]
    Schlagworte: Historienmalerei; Malerei; Geschichte <Motiv>
    Weitere Schlagworte: Tshibumba Kanda Matulu (20.Jh.)
    Umfang: XV, 348 S., zahlr. Ill., Kt.
    Bemerkung(en):

    Literaturverz. S. 329 - 335
  6. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: 1996
    Verlag:  Univ. of Calif. Press, Berkeley [u.a.]

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history,... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition. During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  7. Remembering the present
    painting and popular history in Zaire
    Autor*in: Fabian, Johannes
    Erschienen: 1996
    Verlag:  Univ. of Calif. Press, Berkeley [u.a.]

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history,... mehr

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition. During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format