Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Introduction: manifestos, race, and modernity; THE "NOW" TIME OF THE MANIFESTO; MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE; THE TRANSNATIONAL NETWORKS OF...
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Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Introduction: manifestos, race, and modernity; THE "NOW" TIME OF THE MANIFESTO; MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE; THE TRANSNATIONAL NETWORKS OF ANTICOLONIAL NATIONALISM; PART I Cosmopolitan London, 1906-1914; CHAPTER 2 Women's suffrage melodrama and burlesque; WOMEN'S SUFFRAGE MANIFESTOS; MELODRAMA AND MASS CULTURE; THE CONVERT; SUFFRAGE BURLESQUE; CHAPTER 3 Futurism' s music hall and India Docks; THE CONQUEST OF MODERNITY; MANIFESTOS AND THEATRICALITY; WORDS-IN-FREEDOM. EVENT AS INTERRUPTION: "SUFFRAGETTES AND INDIA DOCKS"MINA LOY: "SECRET SERVICE BUFFOON"; CHAPTER 4 Vorticism's cabaret modernism and racial spectacle; THE CAVE OF THE GOLDEN CALF; BLAST AS THEATER; REBECCA WEST AND THE IMPERIAL EXOTIC; ENEMY OF THE STARS; PART II Transnational Modernisms, 1934-1938; CHAPTER 5 Nancy Cunard's Negro and black transnationalism; POLITICAL EPHEMERA; RACE AND UNEVEN TIMES; BLACK TRANSNATIONALISM; NEGRO AND THE RACIAL GROUND OF THE MODERN; CHAPTER 6 Reading across the color line: Virginia Woolf, C.L.R. James, and Suzanne and Aimé Césaire. The modernist avant-garde used manifestos to outline their ideas, cultural programs and political agendas. Yet the manifesto, as a document of revolutionary change and a formative genre of modernism, has heretofore received little critical attention. This 2007 study reappraises the central role of manifestos in shaping the modernist movement by investigating twentieth-century manifestos from Europe and the Black Atlantic. Manifestos by writers from the imperial metropolis and the colonial 'periphery' drew very different emphases in their recasting of histories and experiences of modernity. Lau VIRGINIA WOOLF AND THE MANIFESTOC. L.R. JAMES IN LONDON; THE CÉSAIRES' RETURN; EPILOGUE Manifestos: then and now; Index.
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Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Introduction: manifestos, race, and modernity; THE "NOW" TIME OF THE MANIFESTO; MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE; THE TRANSNATIONAL NETWORKS OF ANTICOLONIAL NATIONALISM; PART I Cosmopolitan London, 1906-1914; CHAPTER 2 Women's suffrage melodrama and burlesque; CHAPTER 3 Futurism' s music hall and India Docks; CHAPTER 4 Vorticism's cabaret modernism and racial spectacle; PART II Transnational Modernisms, 1934-1938; CHAPTER 5 Nancy Cunard's Negro and black transnationalism
CHAPTER 6 Reading across the color line: Virginia Woolf, C. L. R. James, and Suzanne and Aimé CésaireEPILOGUE Manifestos: then and now; Index
