Geschichte und Gegenwart des musikalischen Hörens
Diskurse - Geschichte(n) - Poetiken
Klang, Magie, Struktur
Ästhetische und strukturelle Dimensionen in der Musik Helmut Lachenmanns
Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century
Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly...
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Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.
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Musical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century
This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as...
mehr
|
This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic. Dieses Buch diskutiert die Auswirkungen der kulturellen Globalisierung auf Prozesse der Komposition und Verbreitung von Kunstmusik im 20. und 21. Jahrhundert. Christian Utz liefert die Grundlagen einer globalen Musikhistoriographie, die auf neuen Modellen wie Transnationalismus, Verflechtungsgeschichte und reflexiver Globalisierung aufbaut. Das Verhältnis zwischen Musik und breiteren gesellschaftlichen Veränderungen bildet den zentralen Fokus der Studien und wird als zentrale musikgeschichtliche Dynamik begriffen.
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