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  1. Called to the camera
    Black American studio photographers
    Beteiligt: Piper, Brian (VerfasserIn von ergänzendem Text); Mason, John Edwin (VerfasserIn von ergänzendem Text); Williams, Carla (VerfasserIn von ergänzendem Text); Lord, Russell (VerfasserIn von ergänzendem Text); Taylor, Susan M. (VerfasserIn eines Vorworts)
    Erschienen: [2023]
    Verlag:  New Orleans Museum of Art, New Orleans ; Yale University Press, New Haven

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Piper, Brian (VerfasserIn von ergänzendem Text); Mason, John Edwin (VerfasserIn von ergänzendem Text); Williams, Carla (VerfasserIn von ergänzendem Text); Lord, Russell (VerfasserIn von ergänzendem Text); Taylor, Susan M. (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300267389; 030026738X
    RVK Klassifikation: AP 99083 ; AP 95740
    Schlagworte: USA; Porträtfotografie; Fotostudio; Person of Color <Motiv>; Geschichte 1860-; ; USA; Schwarze; Fotostudio; Fotografie; Geschichte;
    Umfang: 226 Seiten
    Bemerkung(en):

    Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
  2. Called to the camera
    Black American studio photographers
    Beteiligt: Piper, Brian; Mason, John Edwin; Williams, Carla; Lord, Russell; Taylor, Susan M.
    Erschienen: [2023]
    Verlag:  New Orleans Museum of Art, [New Orleans, La.] ; Yale University Press, New Haven ; London

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Piper, Brian; Mason, John Edwin; Williams, Carla; Lord, Russell; Taylor, Susan M.
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300267389
    Schlagworte: Fotostudio; Schwarze <Motiv>; Porträtfotografie; Schwarze
    Weitere Schlagworte: African American portrait photographers / Exhibitions; African American photographers / Exhibitions; African Americans / Portraits / Exhibitions; Portrait photography / United States / History / Exhibitions; Photographes portraitistes noirs américains / Expositions; Photographes noirs américains / Expositions; Photographie / États-Unis / Histoire / Expositions; Portraits (Photographie) / États-Unis / Expositions; ART / American / African American & Black; African American photographers; Photography; History; United States; History; Exhibition catalogs; Photobooks
    Umfang: 226 Seiten, 29 cm
    Bemerkung(en):

    Frontispizseite: exhibition dates: New Orleans Museum of Art, September 15, 2022 - January 8, 2023

    Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams
  3. Tina Freeman - Lamentations
    Beteiligt: Freeman, Tina (FotografIn); Taylor, Susan M. (VerfasserIn eines Geleitwortes); Lord, Russell (VerfasserIn einer Einleitung)
    Erschienen: 2019
    Verlag:  University of Louisiana at Lafayette Press, [Lafayette] ; New Orleans Museum of Art, [New Orleans]

    "Over the past eight years, Tina Freeman has photographed the Louisiana wetlands and Arctic and Antarctic glaciers. In Lamentations, Freeman pairs images from each place in a series of diptychs that address climate change, ecological balance, and the... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Over the past eight years, Tina Freeman has photographed the Louisiana wetlands and Arctic and Antarctic glaciers. In Lamentations, Freeman pairs images from each place in a series of diptychs that address climate change, ecological balance, and the connectedness of things across time and space. Lamentations demonstrates how the rising waters along the coast of Louisiana are both visually and physically connected to the melting glaciers at the poles, despite the separation of vast distances. Freeman's work makes plain the crucial, threatening, and global dialogue between water in two physical states. Lamentations is published to accompany an exhibition of the same name, organized by and presented at the New Orleans Museum of Art, September 11, 2019 to February 22, 2020"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Freeman, Tina (FotografIn); Taylor, Susan M. (VerfasserIn eines Geleitwortes); Lord, Russell (VerfasserIn einer Einleitung)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781946160539
    RVK Klassifikation: AP 94100
    Schlagworte: Wetlands; Landscape photography
    Weitere Schlagworte: Freeman, Tina
    Umfang: 83 Seiten
    Bemerkung(en):

    Includes bibliographical references
  4. Called to the camera
    Black American studio photographers
    Beteiligt: Piper, Brian (VerfasserIn von ergänzendem Text); Mason, John Edwin (VerfasserIn von ergänzendem Text); Williams, Carla (VerfasserIn von ergänzendem Text); Lord, Russell (VerfasserIn von ergänzendem Text); Taylor, Susan M. (VerfasserIn eines Vorworts)
    Erschienen: [2023]
    Verlag:  New Orleans Museum of Art, New Orleans ; Yale University Press, New Haven

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2023:3506:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 205118
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Piper, Brian (VerfasserIn von ergänzendem Text); Mason, John Edwin (VerfasserIn von ergänzendem Text); Williams, Carla (VerfasserIn von ergänzendem Text); Lord, Russell (VerfasserIn von ergänzendem Text); Taylor, Susan M. (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300267389; 030026738X
    RVK Klassifikation: AP 99083 ; AP 95740
    Schlagworte: USA; Porträtfotografie; Fotostudio; Person of Color <Motiv>; Geschichte 1860-; ; USA; Schwarze; Fotostudio; Fotografie; Geschichte;
    Umfang: 226 Seiten
    Bemerkung(en):

    Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
  5. Debbie Fleming Caffery - in light of everything
    Beteiligt: Caffery, Debbie Fleming (FotografIn); Piper, Brian (VerfasserIn von ergänzendem Text); Lord, Russell (VerfasserIn von ergänzendem Text); Taylor, Susan M. (VerfasserIn eines Nachworts)
    Erschienen: [2023]
    Verlag:  Radius Books, Santa Fe, NM ; New Orleans Museum of Art, New Orleans, LA

    "Debbie Fleming Caffery: In Light of Everything immortalizes in book form the artist's first major career retrospective presented at the New Orleans Museum of Art. Examining the deep emotional relationship between people and place, Caffery is... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Debbie Fleming Caffery: In Light of Everything immortalizes in book form the artist's first major career retrospective presented at the New Orleans Museum of Art. Examining the deep emotional relationship between people and place, Caffery is recognized as a leading photographer visualizing the American South. Her shadowy, blurred images thoughtfully feature elements of luster to reveal elements of the shared human experience--childhood, spirituality, labor--and ultimately bring darkness to light. This publication is her most comprehensive to date, showcasing projects produced within and beyond the American South to Mexico, France, and the American West. Caffery's sixth title, In Light of Everything is the first to feature all series over the course of her career" --

     
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    Quelle: Verbundkataloge
    Beteiligt: Caffery, Debbie Fleming (FotografIn); Piper, Brian (VerfasserIn von ergänzendem Text); Lord, Russell (VerfasserIn von ergänzendem Text); Taylor, Susan M. (VerfasserIn eines Nachworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781955161404; 1955161402
    RVK Klassifikation: AP 94100
    Schlagworte: Photography, Artistic; Photography, Artistic; Photographie artistique; Photographie artistique - Expositions; art photography; Photography, Artistic; exhibition catalogs; Illustrated works; Exhibition catalogs; Illustrated works; Exhibition catalogs; Ouvrages illustrés; Catalogues d'exposition
    Weitere Schlagworte: Caffery, Debbie Fleming; Caffery, Debbie Fleming
    Umfang: 225 Seiten
    Bemerkung(en):

    Exhibition held at the New Orleans Museum of Art, October 6, 2023 - May 5, 2024
  6. Called to the camera
    Black American studio photographers
    Beteiligt: Williams, Carla; Lord, Russell; Taylor, Susan M. (Verfasser eines Vorworts)
    Erschienen: [2023]
    Verlag:  New Orleans Museum of Art, New Orleans, La ; Yale University Press, New Haven

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their... mehr

    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    bestellt
    Fernleihe:
    keine Fernleihe

     

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Williams, Carla; Lord, Russell; Taylor, Susan M. (Verfasser eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300267389
    Schlagworte: Schwarze; Fotostudio; Porträtfotografie; Schwarze <Motiv>
    Weitere Schlagworte: African American portrait photographers / Exhibitions; African American photographers / Exhibitions; African Americans / Portraits / Exhibitions; Portrait photography / United States / History / Exhibitions; Photographes portraitistes noirs américains / Expositions; Photographes noirs américains / Expositions; Photographie / États-Unis / Histoire / Expositions; Portraits (Photographie) / États-Unis / Expositions; ART / American / African American & Black; African American photographers; Photography; History; United States; History; Exhibition catalogs; Photobooks
    Umfang: 226 Seiten, 29 cm
    Bemerkung(en):

    Frontispizseite: exhibition dates: New Orleans Museum of Art, September 15, 2022 - January 8, 2023

    Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams