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  1. Passion, romance, and Qing
    the world of emotions and states of mind in Peony Pavilion
    Beteiligt: Tan, Tian Yuan (Hrsg.); Santangelo, Paolo (Hrsg.)
    Verlag:  Brill, Leiden [u.a.]

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    KA.TANG72.1/od36343
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan (Hrsg.); Santangelo, Paolo (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789004277670
    Schriftenreihe: Emotions and States of Mind in East Asia ; 4
    Schlagworte: Chinese drama; Liebe; Gefühl; Wortschatz
    Weitere Schlagworte: Tang, Xianzu (1550-1616): Mu dan ting; Tang, Xianzu (1550-1616): Mudanting
    Bemerkung(en):

    Includes bibliographical references

    Erschienen: Bd. 1 - 3
  2. 1616: Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan (Herausgeber, Verfasser); Edmondson, Paul (Herausgeber, Verfasser); Wang, Shih-pe (Herausgeber, Verfasser)
    Erschienen: 2016
    Verlag:  Bloomsbury, London ; Oxford ; New York ; New Delhi ; Sydney

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3L 17156
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan (Herausgeber, Verfasser); Edmondson, Paul (Herausgeber, Verfasser); Wang, Shih-pe (Herausgeber, Verfasser)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472583420; 9781472583413
    Schriftenreihe: The Arden Shakespeare
    Schlagworte: English drama; Chinese drama; Theater; Englisch; Chinesisch; Literatur; Theater; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Tang, Xianzu (1550-1616); Tang, Xianzu (1550-1616); Shakespeare, William (1564-1616)
    Umfang: xxii, 326 Seiten, Illustrationen, 21 cm
  3. Songs of contentment and transgression
    discharged officials and literati communities in sixteenth-century North China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010
    Verlag:  Harvard Univ. Asia Center, Cambridge, Mass. [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780674056046; 0674056043
    Weitere Identifier:
    9780674056046
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 75
    Schlagworte: Qu (Chinese literature); Chinese drama; Intellectuals
    Weitere Schlagworte: Wang, Jiusi (1468-1551); Kang, Hai (1475-1540); Li, Kaixian (1502-1568); Wang, Jiusi, 1468-1551; Kang, Hai, 1475-1540; Li, Kaixian, 1502-1568; Array; Array; Array; Array
    Umfang: XIV, 293 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Teilw. zugl.: Diss.

    Paths into qu writing -- Performing contentment and dramatizing retirement -- Writing in a local community -- A world of their own : textual and social space -- The encounter between the masters of two generations and two locales -- A local club and a wider community of sanqua -- Drama activities and qu printing projects -- The master of song and drama.
  4. 1616
    Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan (HerausgeberIn); Edmondson, Paul (HerausgeberIn); Wang, Shih-pe (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Bloomsbury Arden Shakespeare, London

    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    Standort:
    Hochschule Esslingen, Bibliothek
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    Standort:
    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--

     
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  5. 1616
    Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan (Hrsg.); Edmondson, Paul (Hrsg.); Wang, Shih-pe (Hrsg.)
    Erschienen: 2016
    Verlag:  Bloomsbury Arden Shakespeare, London ; Oxford ; New York ; New Delhi ; Sydney

    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek der LMU München
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    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--

     
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  6. Passion, romance, and Qing
    the world of emotions and states of mind in "Peony Pavilion"
    Autor*in: Tan, Tian Yuan; Santangelo, Paolo
    Erschienen: 2015
    Verlag:  Brill, Leiden

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004277670; 9004277676
    Übergeordneter Titel:
    RVK Klassifikation: EG 12703
    Schriftenreihe: Emotions and states of mind in East Asia ; 4
    Schlagworte: Tang, Xianzu; Gefühl;
  7. Text, Performance, and Gender in Chinese Literature and Music
    Essays in Honor of Wilt Idema
    Beteiligt: Idema, W. L.; Crevel, Maghiel van; Tan, Tian Yuan; Hockx, Michel
    Erschienen: 2009
    Verlag:  Brill, Leiden [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    keine Fernleihe
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    Quelle: Verbundkataloge
    Beteiligt: Idema, W. L.; Crevel, Maghiel van; Tan, Tian Yuan; Hockx, Michel
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789047441410; 9047441419; 1282950878; 9781282950870
    Schriftenreihe: Sinica Leidensia ; v. 92
    Umfang: 1 Online-Ressource (vii, 465 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references and index
  8. Text, performance, and gender in Chinese literature and music
    essays in honor of Wilt Idema
    Beteiligt: Idema, W. L.; Crevel, Maghiel van; Tan, Tian Yuan; Hockx, Michel
    Erschienen: 2009
    Verlag:  Brill, Leiden [Netherlands] [u.a.] ; [ProQuest], [Ann Arbor, Michigan]

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
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    Quelle: Verbundkataloge
    Beteiligt: Idema, W. L.; Crevel, Maghiel van; Tan, Tian Yuan; Hockx, Michel
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789047441410
    Schriftenreihe: Sinica Leidensia, ; v. 92
    Umfang: vii, 465 p., Ill., port.
    Bemerkung(en):

    Includes bibliographical references and index
  9. Songs of contentment and transgression
    discharged officials and literati communities in sixteenth-century North China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010
    Verlag:  Harvard Univ. Asia Center, Cambridge, Mass. [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signatur:
    83/Sin/HE 41115
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674056046; 0674056043
    Umfang: XIV, 293 S., 23x15x3 cm
    Bemerkung(en):

    Hardback. With printed dust jacket

    Literaturverz. S. 265 - 281
  10. Songs of contentment and transgression
    discharged officials and literati communities in sixteenth-century north China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010
    Verlag:  Harvard Univ. Asia Center, Cambridge, Mass.

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674056046
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 75
    Schlagworte: Geschichte; Qu (Chinese literature); Chinese drama; Intellectuals; Kulturleben; Entlassung eines Beamten; Qu
    Weitere Schlagworte: Wang, Jiusi (1468-1551); Kang, Hai (1475-1540); Li, Kaixian (1502-1568)
    Umfang: XIV, 293 S.
    Bemerkung(en):

    Includes bibliographical references and index
  11. Passion, romance, and Qing
    the world of emotions and states of mind in "Peony Pavilion"
    Autor*in: Tan, Tian Yuan; Santangelo, Paolo
    Erschienen: 2015
    Verlag:  Brill, Leiden

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004277670; 9004277676
    RVK Klassifikation: EG 12703
    Schriftenreihe: Emotions and states of mind in East Asia ; 4
    Schlagworte: Tang, Xianzu; Gefühl;
  12. Passion, romance, and Qing
    the world of emotions and states of mind in Peony Pavilion
    Beteiligt: Santangelo, Paolo (HerausgeberIn); Tan, Tian Yuan (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Brill, Leiden

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Fernleihe:
    keine Fernleihe

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
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    Quelle: Verbundkataloge
    Beteiligt: Santangelo, Paolo (HerausgeberIn); Tan, Tian Yuan (HerausgeberIn)
    Sprache: Englisch; Chinesisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004277670; 9004277676; 9789004277687; 9004277684; 9789004277694; 9004277692; 9789004277700; 9004277706
    Schriftenreihe: Emotions and States of Mind in East Asia ; 4
    Schlagworte: Chinese drama; Chinese drama
    Weitere Schlagworte: Tang, Xianzu 1550-1616
    Umfang: 25 cm
    Bemerkung(en):

    Includes bibliographical references. - In English with some Chinese
  13. Passion, romance, and Qing
    the world of emotions and states of mind in Peony Pavilion
    Beteiligt: Tan, Tian Yuan (Herausgeber); Santangelo, Paolo (Herausgeber)
    Erschienen: 2015-
    Verlag:  Brill, Leiden [u.a.]

    Standort:
    Universitätsbibliothek Trier
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan (Herausgeber); Santangelo, Paolo (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004277670
    Schriftenreihe: Emotions and States of Mind in East Asia ; 4
    Schlagworte: Chinese drama
    Weitere Schlagworte: Tang, Xianzu (1550-1616): Mu dan ting
    Bemerkung(en):

    Includes bibliographical references

    Erschienen: Bd. 1 - 3
  14. 1616: Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan (Verfasser, Herausgeber); Edmondson, Paul (Verfasser, Herausgeber); Wang, Shih-pe (Verfasser, Herausgeber)
    Erschienen: 2016
    Verlag:  Bloomsbury, New York

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan (Verfasser, Herausgeber); Edmondson, Paul (Verfasser, Herausgeber); Wang, Shih-pe (Verfasser, Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472583420; 9781472583413
    Schriftenreihe: <<The>> Arden Shakespeare
    Schlagworte: English drama; Chinese drama; Theater
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Tang, Xianzu (1550-1616)
    Umfang: xxii, 326 Seiten, Illustrationen, 21 cm
  15. Songs of contentment and transgression
    discharged officials and literati communities in sixteenth-century North China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010
    Verlag:  Harvard Univ. Asia Center, Cambridge, Mass. [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 790004
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universitätsbibliothek Freiburg
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    GE 2010/6751
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780674056046; 0674056043
    Weitere Identifier:
    9780674056046
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 75
    Schlagworte: Qu (Chinese literature); Chinese drama; Intellectuals
    Weitere Schlagworte: Wang, Jiusi (1468-1551); Kang, Hai (1475-1540); Li, Kaixian (1502-1568); Wang, Jiusi, 1468-1551; Kang, Hai, 1475-1540; Li, Kaixian, 1502-1568; Array; Array; Array; Array
    Umfang: XIV, 293 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Teilw. zugl.: Diss.

    Paths into qu writing -- Performing contentment and dramatizing retirement -- Writing in a local community -- A world of their own : textual and social space -- The encounter between the masters of two generations and two locales -- A local club and a wider community of sanqua -- Drama activities and qu printing projects -- The master of song and drama.
  16. Songs of Contentment and Transgression
    Discharged Officials and Literati Communities in Sixteenth-Century North China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010; ©2010
    Verlag:  BRILL, Boston

    Intro -- Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China -- Acknowledgments -- Contents -- Tables -- Abbreviations -- Introduction -- Leaving the Center -- Qu in Mid-Ming and... mehr

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    Intro -- Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China -- Acknowledgments -- Contents -- Tables -- Abbreviations -- Introduction -- Leaving the Center -- Qu in Mid-Ming and North China -- Major Writers and Their Communities -- Part I: Wang Jiusi and Kang Hai in Shaanxi -- 1. Paths into Qu Writing -- Early Days in the Capital -- Dismissal in 1510 -- Qu as an Alternative yet Appropriate Genre -- 2. Performing Contentment and Dramatizing Retirement -- Returning to My Fields -- The Tradition of Withdrawal Songs -- Rejecting Rejection -- 3. Writing in a Local Community -- Tracing a Qu Community -- Beyond the Anthologies -- Song Matching -- Sharing a Subject -- 4. A World of Their Own: Textual and Social Space -- Songs for Occasions -- A Collection of Birthday Songs -- Birthday Songs: Popularity, Styles, and Subjects -- Creating Our World and Our Community -- Interlude -- 5. The Encounter Between the Masters of Two Generations and Two Locales -- An Episode of Later Significance -- The Turning Point in 1541 -- Part II: Li Kaixian in Shandong -- 6. A Local Club and a Wider Community of Sanqu -- A Qu Writing Club in Li Kaixian's Home Village -- Beyond the Local: From a Hundred Songs to Near a Hundred Colophons -- Providing a Template -- 7. Drama Activities and Qu Printing Projects -- A Southern Play by a Northern Writer: Baojian ji -- Yuanben and the Tradition of One-Act Plays -- Printing Projects -- 8. The Master of Song and Drama -- The Role and Influence of Li Kaixian -- The Making of a Master: Li's Self-Fashioning -- Defense, Self-Justification, and Apologies -- The World of Qu Writing in Shandong After Li Kaixian -- Conclusion -- Appendix -- Editions of Qu Writings Discussed -- REFERENCE MATTER -- Works Cited -- Index -- Harvard-Yenching Institute Monograph Series.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781684170593
    Schriftenreihe: Harvard University Studies in East Asian Law Ser.
    Schlagworte: Electronic books
    Umfang: 1 online resource (313 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  17. Songs of Contentment and Transgression
    Discharged Officials and Literati Communities in Sixteenth-Century North China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010
    Verlag:  BRILL, Leiden

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    Standort:
    Universitätsbibliothek Leipzig
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    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781684170593; 9780674056046
    Weitere Identifier:
    Schriftenreihe: Harvard University Studies in East Asian Law ; 75
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Schlagworte: Chinese drama; Intellectual life
    Umfang: 1 Online-Ressource
  18. Songs of Contentment and Transgression
    Discharged Officials and Literati Communities in Sixteenth-Century North China
    Autor*in: Tan, Tian Yuan
    Erschienen: 2010
    Verlag:  Harvard University Asia Center, Boston ; Brill, Leiden

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    Standort:
    Universität Mainz, Zentralbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781684170593; 9780674056046
    Weitere Identifier:
    Schriftenreihe: Harvard University Studies in East Asian Law ; 75
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Umfang: 1 Online-Ressource
  19. Text, performance, and gender in Chinese literature and music
    essays in honor of Wilt Idema
    Beteiligt: Idema, W. L.; Crevel, Maghiel van; Tan, Tian Yuan; Hockx, Michel
    Erschienen: 2009
    Verlag:  Brill, Leiden

    Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
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    Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its inclusiveness and its ability to let different historical periods, genres and issues speak to one another, and to make the riches of Chinese literature accessible to a wide range of readers. In honor of his work, this collection brings together new research by twenty-two prominent scholars in a field of tremendous scope and diversity, on topics including genre characteristics, literary representations of social and political history, gender and cultural identity, music, autobiography, women's writing, internet literature and more.

     
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    Quelle: Verbundkataloge
    Beteiligt: Idema, W. L.; Crevel, Maghiel van; Tan, Tian Yuan; Hockx, Michel
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789047441410
    Weitere Identifier:
    Schriftenreihe: Sinica Leidensia, ; v. 92
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index.
  20. 1616
    Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan (HerausgeberIn); Edmondson, Paul (HerausgeberIn); Wang, Shih-pe (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Bloomsbury Arden Shakespeare, London, England ; Bloomsbury Publishing

    Introduction -- Part 1. Setting the scene: playwrights and localities. Chapter 1.1. The backdrop of regional theatre to Tang Xianzu's drama / Yongming Xu ; Chapter 1.2. Stratford-upon-Avon: 1616 / Paul Edmondson -- Part 2. Classics, tastes and... mehr

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    Introduction -- Part 1. Setting the scene: playwrights and localities. Chapter 1.1. The backdrop of regional theatre to Tang Xianzu's drama / Yongming Xu ; Chapter 1.2. Stratford-upon-Avon: 1616 / Paul Edmondson -- Part 2. Classics, tastes and popularity. Chapter 2.1. The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: Love, dream and deaths in The Tale of the West Loft / Wei Hua ; Chapter 2.2. Blockbusters and popular stories / Nick Walton -- Part 3. Making history. Chapter 3.1. Shishiju as public forum: The Crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Ayling Wang ; Chapter 3.2. Dramatizing the Tudors / Helen Cooper -- Part 4. The state and the theatre. Chapter 4.1. Sixty plays from the Ming Palace, 1615-18 / Tian Yuan Tan ; Chapter 4.2. Licensing the King's Men: From court revels to public performance / Janet Clare -- Part 5. The circulation of dramatic texts and printing. Chapter 5.1. Tired, sick, and looking for money: Zang Maoxun in 1616 / Stephen H. West ; Chapter 5.2. Status anxiety: Arguing about plays and print in early modern London / Jason Scott-Warren -- Part 6. Dramatic authorship and collaboration. Chapter 6.1. Is there a playwright in this text? The 1610s and the consolidation of dramatic authorship in late Ming print culture / Patricia Sieber ; Chapter 6.2. 'May I subscribe a name?': Terms of collaboration in 1616 / Peter Kirwan -- Part 7. Audiences, critics and reception. Chapter 7.1. Revising Peony Pavilion: Audience reception in presenting Tang Xianzu's text / Shih-Pe Wang ; Chapter 7.2. 'No epilogue, I pray you': Audience reception in Shakespearean theatre / Anjna Chouhan -- Part 8. Music and performance. Chapter 8.1. Seeking the relics of music and performance: An investigation of Chinese theatrical scenes published in the early seventeenth century (1606-16) / Mei Sun ; Chapter 8.2. Music in the English theatre of 1616 / David Lindley -- Part 9. Theatre in theory and practice. Chapter 9.1. Xu Wei's A Record of Southern Drama: The idea of a theatre at the turn of seventeenth-century China / Regina Llamas ; Chapter 9.2. Taking cover: 1616 and the move indoors / Will Tosh -- Part 10. Theatre across genres and cultures. Chapter 10.1. Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / Xiaoqiao Ling ; Chapter 10.2. 'There be salmons in both': Models of connection for seventeenth-century English and Chinese drama / Kate McLuskie -- Afterword -- Works Cited -- Index. "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan (HerausgeberIn); Edmondson, Paul (HerausgeberIn); Wang, Shih-pe (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472587206; 1472583442; 9781472583444; 9781472583420; 9781472583437; 1472583434; 1472583426; 9781472583413; 1472583418
    Weitere Identifier:
    Schlagworte: English drama; Chinese drama; Theater; Literary studies: plays & playwrights
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Tang, Xianzu (1550-1616)
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.
  21. 1616
    Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan; Edmondson, Paul; Wang, Shih-pe
    Erschienen: 2020
    Verlag:  Bloomsbury Arden Shakespeare, London, England ; Bloomsbury Publishing, London

    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting... mehr

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    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--...

     
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan; Edmondson, Paul; Wang, Shih-pe
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472587206; 1472583442
    Weitere Identifier:
    Schriftenreihe: Bloomsbury Drama Online - Critical Studies and Performance Practice
    Bemerkung(en):

    Shakespeare Studies Supplement
  22. 1616
    Shakespeare and Tang Xianzu's China
    Beteiligt: Tan, Tian Yuan (HerausgeberIn); Edmondson, Paul (HerausgeberIn); Wang, Shih-pe (HerausgeberIn)
    Erschienen: [2016]; 2016
    Verlag:  Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Inc, London

    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting... mehr

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2016 A 3446
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Herzog August Bibliothek Wolfenbüttel
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    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Tan, Tian Yuan (HerausgeberIn); Edmondson, Paul (HerausgeberIn); Wang, Shih-pe (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472583413; 9781472583420
    RVK Klassifikation: HI 3341 ; HI 3323
    Schriftenreihe: The Arden Shakespeare
    Drama and performance studies
    Schlagworte: English drama; Chinese drama; Theater
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Tang, Xianzu (1550-1616)
    Umfang: xxii, 326 Seiten, Illustrationen, 21 cm
    Bemerkung(en):

    First published 2016

    Literaturverzeichnis Seite [299]-317. Index

    Machine generated contents note:Foreword by Wilt L. Idema, (Harvard University, USA) Introduction: "Setting the Scene" by Tian Yuan Tan (SOAS, University of London, UK), Paul Edmondson (The Shakespeare Birthplace Trust, UK) and Shih-pe Wang (National Chung Cheng University, Taiwan) 1) The Blockbusters and Popular Stories -- - Wei Hua (Chinese University of Hong Kong), "The "Popular Turn" in the Elite Theatre of the Ming after Tang Xianzu: Love, Dream, and Deaths in Tale of the West Chamber" -- - Nick Walton (The Shakespeare Birthplace Trust, UK) "Blockbusters and Popular Stories" 2) Making History -- - Ayling Wang (Academia Sinica, Taiwan), "A New Form of Public Forum: Dramatizing Current Political Affairs on Stage in the Late-Ming Shishiju Crying Phoenix" -- - Helen Cooper (University of Cambridge, UK), "Dramatizing the Tudors" -- 3) The State and the Theatre; -- - Tian Yuan Tan (SOAS, University of London, UK), "Sixty Plays from the Ming Palace, 1615-1618" -- - Janet Clare (University of Hull, UK), "Licensing the King's Men: From Court Revels to Public Performance" -- 4) The Transmission of Dramatic Texts and Printing -- - Stephen H. West (University of California, Berkeley, USA), "Tired, Sick, and Looking for Money: Zang Maoxun in 1616" -- - Jason Scott-Warren (University of Cambridge, UK), "Status Anxiety: Arguing about Plays and Print in Early Modern London" -- 5) Audiences, Critics, and Reception -- - Shih-pe Wang (National Chung Cheng University, Taiwan), "The Ways of Adapting Peony Pavilion around 1616: Different Viewpoints from Literati, Actors, Readers/Audience, and Critics" -- - Anjna Chouhan (University of Leicester, UK), "'No epilogue, I pray you': Audience Reception in Shakespearian Theatre" -- 6) Music and Performance -- - Mei Sun (National Central University, Taiwan), "Seeking the Relics of Music and Performance: An Investigation of Chinese Theatrical Scenes Published in the Early Seventeenth Century (1606-1616)" -- - David Lindley (University of Leeds, UK), "Music in the English theatre of 1616" -- 7) The Concept of Theatre and Its Performance Spaces -- - Regina Llamas (Stanford University, USA), "The Idea of a Theatre in Sixteenth-Century China: Xu Wei's (1521-1593) Nanci xulu" -- - Will Tosh (Shakespeare's Globe, UK), "Taking Cover: 1616 and the Move Indoors" -- 8) Dramatic Authorship and Collaboration -- - Patricia Sieber (Ohio State University, USA), "Will the Real Late Ming Playwright Stand Up? Social, Economic, and Literary Perspectives on Dramatic Authorship in China, 1545-1616" -- - Peter Kirwan (University of Nottingham, UK), "'May I subscribe a name?': Terms of Collaboration in 1616" -- 9) Localities -- - Yongming Xu (Zhejiang University, China), "The Backdrop of Regional Theatre to Tang Xianzu's Drama" -- - Paul Edmondson (The Shakespeare Birthplace Trust, UK), "Shakespearian Locales in 1616" -- 10) Drama, Poetry, and Other Literary Genres -- - Xiaoqiao Ling (Arizona State University, USA), "Elite Drama Readership Staged in Vernacular Fiction: The Western Chamber and The Retrieved History of Hailing" -- - Kathleen E. McLuskie (University of Birmingham, UK), "'There be salmons in both': Models of Connection for Seventeenth-Century English and Chinese Drama" Afterword by Stanley Wells (Shakespeare Birthplace Trust, UK).
  23. 1616
    Shakespeare and Tang Xianzu's China
    Beteiligt: Edmondson, Paul (editor.); Wang, Shih-pe (editor.); Tan, Tian Yuan (editor.)
    Erschienen: 2016
    Verlag:  Bloomsbury Arden Shakespeare, London

    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Edmondson, Paul (editor.); Wang, Shih-pe (editor.); Tan, Tian Yuan (editor.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472583444
    Schlagworte: English drama; Chinese drama; Theater; English drama ; 17th century ; History and criticism; Electronic books
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Tang, Xianzu (1550-1616)
    Umfang: Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note:Foreword by Wilt L. Idema, (Harvard University, USA) Introduction: "Setting the Scene" by Tian Yuan Tan (SOAS, University of London, UK), Paul Edmondson (The Shakespeare Birthplace Trust, UK) and Shih-pe Wang (National Chung Cheng University, Taiwan) 1) The Blockbusters and Popular Stories -- -- Wei Hua (Chinese University of Hong Kong), "The "Popular Turn" in the Elite Theatre of the Ming after Tang Xianzu: Love, Dream, and Deaths in Tale of the West Chamber" -- -- Nick Walton (The Shakespeare Birthplace Trust, UK) "Blockbusters and Popular Stories" 2) Making History -- -- Ayling Wang (Academia Sinica, Taiwan), "A New Form of Public Forum: Dramatizing Current Political Affairs on Stage in the Late-Ming Shishiju Crying Phoenix" -- -- Helen Cooper (University of Cambridge, UK), "Dramatizing the Tudors" -- 3) The State and the Theatre; -- -- Tian Yuan Tan (SOAS, University of London, UK), "Sixty Plays from the Ming Palace, 1615-1618" -- -- Janet Clare (University of Hull, UK), "Licensing the King's Men: From Court Revels to Public Performance" -- 4) The Transmission of Dramatic Texts and Printing -- -- Stephen H. West (University of California, Berkeley, USA), "Tired, Sick, and Looking for Money: Zang Maoxun in 1616" -- -- Jason Scott-Warren (University of Cambridge, UK), "Status Anxiety: Arguing about Plays and Print in Early Modern London" -- 5) Audiences, Critics, and Reception -- -- Shih-pe Wang (National Chung Cheng University, Taiwan), "The Ways of Adapting Peony Pavilion around 1616: Different Viewpoints from Literati, Actors, Readers/Audience, and Critics" -- -- Anjna Chouhan (University of Leicester, UK), "'No epilogue, I pray you': Audience Reception in Shakespearian Theatre" -- 6) Music and Performance -- -- Mei Sun (National Central University, Taiwan), "Seeking the Relics of Music and Performance: An Investigation of Chinese Theatrical Scenes Published in the Early Seventeenth Century (1606-1616)" -- -- David Lindley (University of Leeds, UK), "Music in the English theatre of 1616" -- 7) The Concept of Theatre and Its Performance Spaces -- -- Regina Llamas (Stanford University, USA), "The Idea of a Theatre in Sixteenth-Century China: Xu Wei's (1521-1593) Nanci xulu" -- -- Will Tosh (Shakespeare's Globe, UK), "Taking Cover: 1616 and the Move Indoors" -- 8) Dramatic Authorship and Collaboration -- -- Patricia Sieber (Ohio State University, USA), "Will the Real Late Ming Playwright Stand Up? Social, Economic, and Literary Perspectives on Dramatic Authorship in China, 1545-1616" -- -- Peter Kirwan (University of Nottingham, UK), "'May I subscribe a name?': Terms of Collaboration in 1616" -- 9) Localities -- -- Yongming Xu (Zhejiang University, China), "The Backdrop of Regional Theatre to Tang Xianzu's Drama" -- -- Paul Edmondson (The Shakespeare Birthplace Trust, UK), "Shakespearian Locales in 1616" -- 10) Drama, Poetry, and Other Literary Genres -- -- Xiaoqiao Ling (Arizona State University, USA), "Elite Drama Readership Staged in Vernacular Fiction: The Western Chamber and The Retrieved History of Hailing" -- -- Kathleen E. McLuskie (University of Birmingham, UK), "'There be salmons in both': Models of Connection for Seventeenth-Century English and Chinese Drama" Afterword by Stanley Wells (Shakespeare Birthplace Trust, UK).