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  1. Sublime surrender
    male masochism at the fin-de-siècle
    Autor*in: Stewart-Steinberg, Suzanne
    Erschienen: 1998
    Verlag:  Cornell University Press, Ithaca, N.Y

    1. "A familiar smile of fascination": Masochism, Sublimation, and the Cruelty of Love -- 2. When Men Can No Longer Paint: Acts of Seeing in Leopold von Sacher-Masoch's Venus in Furs -- 3. The Theft of the Operatic Voice: Masochistic Seduction in... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    1. "A familiar smile of fascination": Masochism, Sublimation, and the Cruelty of Love -- 2. When Men Can No Longer Paint: Acts of Seeing in Leopold von Sacher-Masoch's Venus in Furs -- 3. The Theft of the Operatic Voice: Masochistic Seduction in Wagner's Parsifal -- 4. Saving Love: Is Sigmund Freud's Leader a Man? -- 5. The Rhetoric of Powerlessness

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501717741; 150171774X
    Schriftenreihe: Cornell studies in the history of psychiatry
    Schlagworte: Masochism; Sexual dominance and submission; Masochism in literature; Sex in opera; Masochism; Sexual dominance and submission; Masochism in literature; Sex in opera; Masochism; Dominance-Subordination; Sexual Behavior; POLITICAL SCIENCE ; Public Policy ; Cultural Policy; SOCIAL SCIENCE ; Anthropology ; Cultural; SOCIAL SCIENCE ; Popular Culture; SOCIAL SCIENCE ; Men's Studies; Masochism; Masochism in literature; Sex in opera; Sexual dominance and submission; Letterkunde; Masochisme; Mannen; Fin de siècle
    Umfang: Online Ressource (x, 224 pages), illustrations.
    Bemerkung(en):

    Various drafts of chapters were read by members of the German Studies Reading Group and by participants in the German Studies Colloquium. - Includes bibliographical references (pages 195-220) and index. - Print version record

    Various drafts of chapters were read by members of the German Studies Reading Group and by participants in the German Studies Colloquium
  2. Sublime Surrender
    Male Masochism at the Fin-de-siècle
    Autor*in: Stewart-Steinberg, Suzanne
    Erschienen: [2018]; © 1998
    Verlag:  Cornell University Press, Ithaca, NY

    When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering. Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-siècle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501717741
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in the History of Psychiatry
    Schlagworte: Masochismus; Literatur
    Weitere Schlagworte: Wagner, Richard (1813-1883): Parsifal
    Umfang: 1 online resource, 2 halftones
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
  3. Sublime Surrender
    Male Masochism at the Fin-de-siècle
    Autor*in: Stewart-Steinberg, Suzanne
    Erschienen: [2018]; © 1998
    Verlag:  Cornell University Press, Ithaca, NY

    When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering. Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-siècle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501717741
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in the History of Psychiatry
    Schlagworte: Masochismus; Literatur
    Weitere Schlagworte: Wagner, Richard (1813-1883): Parsifal
    Umfang: 1 online resource, 2 halftones
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
  4. Sublime surrender
    male masochism at the fin-de-siècle
    Autor*in: Stewart-Steinberg, Suzanne
    Erschienen: 1998
    Verlag:  Cornell University Press, Ithaca, N.Y

    1. "A familiar smile of fascination": Masochism, Sublimation, and the Cruelty of Love -- 2. When Men Can No Longer Paint: Acts of Seeing in Leopold von Sacher-Masoch's Venus in Furs -- 3. The Theft of the Operatic Voice: Masochistic Seduction in... mehr

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

     

    1. "A familiar smile of fascination": Masochism, Sublimation, and the Cruelty of Love -- 2. When Men Can No Longer Paint: Acts of Seeing in Leopold von Sacher-Masoch's Venus in Furs -- 3. The Theft of the Operatic Voice: Masochistic Seduction in Wagner's Parsifal -- 4. Saving Love: Is Sigmund Freud's Leader a Man? -- 5. The Rhetoric of Powerlessness

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0801434343; 0801484502; 150171774X; 9780801434341; 9780801484506; 9781501717741
    Schriftenreihe: Cornell studies in the history of psychiatry
    Schlagworte: Masochism; Sexual dominance and submission; Masochism in literature; Sex in opera; Masochism; Dominance-Subordination; Sexual Behavior
    Umfang: 1 Online-Ressource (x, 224 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 195-220) and index

    Various drafts of chapters were read by members of the German Studies Reading Group and by participants in the German Studies Colloquium