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  1. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

     

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9789462982277; 9789048532179 (electronic)
    Schriftenreihe: Knowledge communities ; 3
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film;
    Umfang: 304 Seiten, Illustrationen, Karten
    Bemerkung(en):

    Literaturverzeichnis: Seite [259]-291

    Dissertation, University College London, 2014
  2. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789048532179
    RVK Klassifikation: AP 50300 ; BO 1840
    Schriftenreihe: Knowledge communities
    Schlagworte: Saints in motion pictures; Middle Ages in motion pictures; Hagiography; Motion pictures; Motion pictures; History; History
    Umfang: 1 Online-Ressource (304 Seiten)
    Bemerkung(en):

    Dissertation, University College London (UCL), 2014
  3. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9789462982277
    Schriftenreihe: Knowledge communities ; 3
    Schlagworte: Vision; Visuelle Wahrnehmung; Heiligenbild; Film; Mystik
    Umfang: 304 Seiten, Illustrationen (schwarz-weiß), Karten
    Bemerkung(en):

    Dissertation, University College London, 2014
  4. Trans and genderqueer subjects in medieval hagiography
    Beteiligt: Spencer-Hall, Alicia (Hrsg.); Gutt, Blake (Hrsg.)
    Erschienen: [2021]
    Verlag:  Amsterdam University Press, Amsterdam

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    Quelle: Verbundkataloge
    Beteiligt: Spencer-Hall, Alicia (Hrsg.); Gutt, Blake (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789462988248
    RVK Klassifikation: BO 1825 ; BE 2242 ; NW 7200
    Schriftenreihe: Hagiography beyond tradition
    Schlagworte: Hagiografie; Mittelalter; Geschlechterforschung; Sozialgeschichte;
    Umfang: 342 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Enthält Literaturangaben
  5. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 9789462982277
    Schriftenreihe: Knowledge communities ; 3
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film
    Umfang: 304 Seiten, Illustrationen (schwarz-weiß), Karten
    Bemerkung(en):

    Dissertation, University College London, 2014
  6. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789048532179
    RVK Klassifikation: AP 50300 ; BO 1840
    Schriftenreihe: Knowledge communities
    Schlagworte: Saints in motion pictures; Middle Ages in motion pictures; Hagiography; Motion pictures; Motion pictures; History; History
    Umfang: 1 Online-Ressource (304 Seiten)
    Bemerkung(en):

    Dissertation, University College London (UCL), 2014
  7. Medieval Saints and Modern Screens
    Divine Visions as Cinematic Experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2017]
    Verlag:  Amsterdam University Press, Amsterdam ; Walter de Gruyter GmbH, Berlin

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention:... mehr

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    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic – the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an ‘agape-ic encounter’. The medieval saint’s visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media – such as blockbuster movie The Dark Knight, Kim Kardashian West’s social media feeds, and the outputs of online role-players in "Second Life"--in dialogue with a corpus of thirteenth-century Latin biographies, Holy Women of Liège. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern ‘seers’, visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly "old" media--medieval textualities--and artefacts of our "new media" ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture’s eyes. The thirteenth-century Latin hagiographic works known as the Holy Women of Liège corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048532179
    Weitere Identifier:
    RVK Klassifikation: AP 50300 ; BO 1840
    Schriftenreihe: Knowledge Communities
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film
    Umfang: 1 Online-Ressource, 2 color plates, 5 halftones, 7 line drawings
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
  8. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]; © 2018
    Verlag:  Amsterdam University Press, Amsterdam ; OAPEN Foundation, The Hague

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    ISBN: 9789048532179
    RVK Klassifikation: AP 50300 ; BO 1840
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Knowledge communities
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film
    Umfang: 1 Online-Ressource (304 Seiten)
    Bemerkung(en):

    Dissertation, University College London, 2014
  9. Medieval Saints and Modern Screens
    Divine Visions As Cinematic Experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam ; ProQuest, Ann Arbor, Michigan

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    ISBN: 9789048532179
    RVK Klassifikation: AP 50300 ; BO 1840
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film
    Umfang: 1 Online-Ressource (305 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  10. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]; © 2018
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9789462982277
    RVK Klassifikation: AP 50300 ; BO 1840
    Schriftenreihe: Knowledge communities ; 3
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film
    Umfang: 304 Seiten, Illustrationen, Karten
    Bemerkung(en):

    Literaturverzeichnis: Seite 259-291

    Dissertation, University College London, 2014
  11. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9789462982277; 9462982279
    RVK Klassifikation: AP 50300 ; BO 1840
    Schriftenreihe: Knowledge communities
    Schlagworte: Saints in motion pictures; Middle Ages in motion pictures; Hagiography; Motion pictures; Motion pictures
    Umfang: 304 Seiten, Illustrationen, Diagramme, Karten
    Bemerkung(en):

    Dissertation, University College London (UCL), 2014
  12. Medieval saints and modern screens
    divine visions as cinematic experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the... mehr

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    The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9789462982277; 9462982279
    RVK Klassifikation: AP 50300 ; BO 1840
    Schriftenreihe: Knowledge communities
    Schlagworte: Saints in motion pictures; Middle Ages in motion pictures; Hagiography; Motion pictures; Motion pictures
    Umfang: 304 Seiten, Illustrationen, Diagramme, Karten
    Bemerkung(en):

    Dissertation, University College London (UCL), 2014
  13. Medieval Saints and Modern Screens : Divine Visions as Cinematic Experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention:... mehr

     

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.Read Alicia Spencer-Hall's keynote paper 'Hagiography, Media, and the Politics of Visibility' from the Gender and Medieval Studies conference in Oxford on her blog Medieval She Wrote.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462982277
    Weitere Identifier:
    Schlagworte: Art treatments & subjects; Medieval history
    Weitere Schlagworte: History; Medieval history; arts
    Umfang: 1 electronic resource (265 p.)
  14. The horror of orthodoxy: Christina Mirabilis, thirteenth-century ‘zombie’ saint
    Autor*in: Spencer-Hall, Alicia

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    ISSN: 2040-5979
    Weitere Identifier:
    Übergeordneter Titel:
    In:: Postmedieval; Basingstoke : Palgrave Macmillan, 2010-; (8.7.2016); Online-Ressource
    Weitere Schlagworte: (lcsh)Literature.; (lcsh)Europe--History—476-1492.; (lcsh)Literature, Medieval.; (lcsh)Humanities--Digital libraries.; Literature.; Literature, general.; Medieval Literature.; Digital Humanities.; History of Medieval Europe.
    Umfang: Online-Ressource, online resource.
  15. Medieval Saints and Modern Screens
    Divine Visions as Cinematic Experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: 2017
    Verlag:  Amsterdam University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention:... mehr

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    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
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    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    keine Fernleihe

    Standort:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.Read Alicia Spencer-Hall's keynote paper 'Hagiography, Media, and the Politics of Visibility' from the Gender and Medieval Studies conference in Oxford on her blog Medieval She Wrote.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462982277; 9789048532179
    RVK Klassifikation: AP 50300 ; BO 1840
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film; European history
    Weitere Schlagworte: History; Europe; Medieval
  16. Medieval Saints and Modern Screens
    Divine Visions as Cinematic Experience
    Autor*in: Spencer-Hall, Alicia
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam ; OAPEN FOUNDATION, The Hague

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention:... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.Read Alicia Spencer-Hall's keynote paper 'Hagiography, Media, and the Politics of Visibility' from the Gender and Medieval Studies conference in Oxford on her blog Medieval She Wrote.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462982277
    RVK Klassifikation: AP 50300 ; BO 1840
    Schlagworte: Heiligenbild; Vision; Mystik; Visuelle Wahrnehmung; Film; Art treatments & subjects; Medieval history
    Weitere Schlagworte: History; Medieval history; arts
    Umfang: 1 Online-Ressource (265 p.)